Philadelphia Writers’ Conference 2019: My Biggest Takeaway

This past weekend was the Philadelphia Writers Conference. I consider it my “home” conference, and I have been going for about 10 years.

Every year I think about what my biggest takeaway is from the conference. I learn so much every year, it’s hard to pick. This year, one thing echoed in almost every workshop: there is no one right way to write.

There are so many ways to write a book. Plotting vs. Pantsing. Linear vs. The Jigsaw Puzzle. Scientific vs. Intuition. Efficient vs. Meandering. And you know what? They are all valid. As long as you end up with a finished, polished product, it’s all good.

The thing I have found about the writing process is that it changes over time. It changes as your skills mature, and according to the needs of your book. For example, my multiple-POV, multiple-subplot YA scifi required more planning than my middle grade single-POV quest story.

Young authors often think there is only one correct way to write a book, and that the professional teaching the workshop is the holder of that Holy Grail. This is certainly not the case, and I was heartened to hear so many of the workshop leaders espouse the uniqueness of each person’s process.

A great thing about a multi-day conference is that we get to concentrate on the writing. We can dim or even turn out the lights of the outside world and immerse ourselves in the writing world. At the beginning of one of my classes, a bird got into the room. It flew around, disoriented, banging into the mirror, until one person got the smart idea to open the doors and turn out the lights in the room. As soon as we turned out the lights, the bird raced to the open doors and flew through to freedom.

Go into the light, my friends—and write your own way.

Comments

  1. Carolee Pastorius says

    I love the story with the bird… so often, we are spinning around in our own darkness, that we fail to look for the light.Have a light filled week, Kerry!

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