Posts - Kerry Gans, Author

Mary Hobson Warren (1821-1904)

April 4, 2019 By Kerry Gans Leave a Comment

People often ask why I love genealogy so much. I think it is because of the stories. So many of my ancestors struggled and worked to give their children better lives. The stories themselves are compelling, but also I realize that without their work and sacrifice, I would not be who I am or where I am today. Their story is also mine.

Here is the story of my 3rd great-grandmother Mary Sellers Hobson Warren (1821-1904)

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In 1852 Philadelphia, Mary Hobson Warren’s life was good. Her family had been in Philly for generations, well established and fairly comfortable. Her father Benjamin was a tailor, and her mother worked as a layer out of the dead, so Mary and her five siblings were secure growing up. On 18 September 1839, at age 18, Mary married James William Warren (age 28), an immigrant from Nova Scotia, Canada.

Now, 13 years later, they were well set. James had begun his career in men’s apparel, but now was a conductor on the railway. They had 5 children: Clara (age 11), Thomas (8), Benjamin (7), James Jr. (4), and Henry (2). And another growing in her belly. Life was going to plan.

Then, on 5 October 1852, came the knock on the door. Men from the railroad told her that James would not be coming home ever again. He’d been killed by a train. They spared her the details, but they were in the paper the next day. He’d fallen from the roof of a rail car, and been crushed by the wheels. He had died instantly. A small mercy.

But here she was at age 32, with 5 children, and her two months pregnant. As an immigrant, James had no family to step in and help. Her family could only do so much. They buried James in a grave in Monument Cemetery owned by Mary’s sister-in-law, Margaret Seward Hobson.

Mary took up washing and sewing, some of the only jobs open to honest women. She worked her hands raw…but her troubles were not over. James, Jr. died of typhoid fever just shy of 4 months after his namesake father. For the second time, Mary stood at the Monument Cemetery gravesite, mourning the loss of her 4-year-old son.

James William Warren (1853-1920)

But Mary didn’t give up. She kept washing and sewing, putting food on her table and a roof over her family’s head. 22 May 1853 saw the birth of her son, whom she named James William Warren after his father and brother. The family got along as best they could.

Then on 31 March 1857, she married Daniel Leinau. He was a businessman from Tennessee, a veteran of the war of 1812, and 25 years older than Mary. Clara was aged 16, Thomas 13, Benjamin 12, Henry 7, and James 4. Daniel and Mary had no children together, but Daniel was the only father young Henry and James ever knew.

Mary’s life got easier with Daniel to provide for her and her family. Slowly their house emptied. Clara married Frederick Valletto McNair in 1862. Clara and Frederick’s eldest son Warren Leinau McNair died in 1865 at age 1 year and 9 months. They buried him in Monument Cemetery with his grandfather and uncle. Thomas married Emma Spooner in 1872. Their first children were stillborn twins, in 1873, and they were buried in the Spooner family plot in Laurel Hill Cemetery. Thomas died young, at age 35, in 1879 and joined his children in the Spooner plot.

Daniel Leinau died 9 March 1883, widowing Mary again. He was buried in Laurel Hill Cemetery, and Mary moved James, James Jr., and baby Warren McNair from Monument Cemetery to the new family plot in Laurel Hill. Mary’s children were now old enough to support her, as she had done for them.

James married Clara Godshall in 1884, Benjamin married Emma Kinsey in 1887, and Henry married Mary Drew in 1888. Mary lived out her life with her youngest son, James William and his family.

Upon her death at age 83 on 23 May 1904, she joined both her husbands, her son, and her grandson in Laurel Hill. Three of her other sons are also resting in nearby plots.

Mental Health Day

March 28, 2019 By Kerry Gans 1 Comment

Sometimes with anxiety disorder, life gets on top of you. You’re just cruising along in your normal routine and then one or two new additions to your schedule crop up. These are not terribly taxing each in themselves, but the cumulative weight of everything starts to build.

You carry the weight because what choice do you have? Life needs what it needs. But the weight gets heavier every day, the exhaustion sets in, and eventually all you want to do is put it down.

Put. It. All. Down.

But if course you can’t put it all down, because life doesn’t stop, especially when you have a child. So you do the next best thing and put down the things you can.

So today I put down the blog, just for this week. I’ll be back next week!

Be kind to yourselves out there. If you need a break, find a way to give yourself one, even a small one. Put down what you can. You can always pick it back up when you’re ready.

Book Fair Spring 2019

March 21, 2019 By Kerry Gans Leave a Comment

It’s Book Fair time again! And this year it’s Dino-mite!

The first half of the Fair is usually the most hectic in my school. All the classes come in and browse the books so they know what they want when they return later in the week. The middle schoolers take care of themselves, but the younger grades make Wish Lists to take home for their parents to look at.

The Kindergarteners need lots of help with the Wish Lists, as many can’t read or write well yet. Some first graders need help, some don’t. Some just need help reading the titles that are in fancy or cursive fonts. Some kids need help finding the price on some books. And then there was the child who handed me a book and said, “Can you write this for me? The title is too long.”

By 2nd grade most kids are able to do the lists themselves and we only have to make sure they are including all the necessary information. There’s also a shift in the lengths of the lists in 2nd grade. While the little kids would put every book the see on the list, the 2nd graders are more discerning. They know the type of books they like, and often will read the back cover blurbs before deciding if they want to put it on their list.

We’ve gotten through the most hectic part of the week, and now comes the fun part–seeing the kids’ faces light up when they buy their books and realize they can take them home to keep.

In our school all of the money made at the book fair funds the library, allowing them to buy new books, repair machines, and other library needs. It is the only funding for these items that they have, so the Book Fair is not only fun for the kids but plays a vital role in keeping the library fresh and interesting.

Wishing for a DNA-centric Vacation

March 14, 2019 By Kerry Gans 1 Comment

A couple of weeks ago, both Ancestry and MyHeritage unveiled new tools for managing and figuring out your matches on their sites. These include tree matching suggestions, sortable colored dots to mark matches and make it easier to visualize, and auto-clustering of matches with a shared ancestor. I am eager to work with these tools, but as of yet have not. Why not?

My father.

More precisely, his DNA. His Ancestry test came through before the new tools, so I have been working through his many matches using the old interface, because that is how I started the process and the new one is very different. I am giddy with excitement over getting his results in for a few reasons, the first being that it took so long for it to process I was afraid it had failed.

The other reason is because it is an Ancestry test. His DNA is on other websites, but I have had the most luck tracking his matches on Ancestry. It is not unusual for people to have one company that garners more or better matches for them. MyHeritage, for instance, seems to do better with more recent European immigrant lines. It’s all about who tests where.

My mother is not on Ancestry (yet), and until my dad was, I had no way of knowing if matches to me were paternal or maternal. It is not uncommon to have a group of 10 or more matches who all match each other but you have no idea how that group relates to you. If you are lucky and can find one person in the group that you can trace back to an ancestor you share, then you know the rest of that group is also somehow on that family line.

I have been fairly lucky on Ancestry with figuring out matches. I have about 40,000 total matches on Ancestry. About 400 are 4th cousin or closer range. I have figured out how roughly 70 of them connect to me. Which doesn’t sound like much, but it’s a much higher number than I have been able to figure out at the other DNA sites. And of course that means any people who match both me and one of 70, I at least know what line they are on. So they are sort of half-figured-out.

Now, with my dad also on Ancestry, Ancestry marks the matches that match him as Paternal. Which means that by default, the unmarked ones are my mother. So now I can mark those with colored dots and then sort my matches by her. This is great because her side of the family is much harder to trace than my dad’s. Now I can know for certain I am working on the correct side of the family!

Also, since my father is a generation above me, he will have stronger matches to people I match to, and he also has a higher number of 4th cousin and closer matches, which is important on Ancestry for Shared Matches. Where I have about 400 4th or closer, he has almost 700. By being able to spread the net wider and find a deeper pool of shared matches, I can hopefully figure out how some of these unknown groups fit into the puzzle.

So I have been fun working through my dad’s matches. Once I finish, I will jump into playing with the great new tools on MyHeritage and Ancestry and see if they smash down any brick walls for me.

Do you ever wish you could take a vacation just to indulge your hobby of choice?

Separating the Art from the Artist

March 7, 2019 By Kerry Gans Leave a Comment

With the recent documentaries on R. Kelly and Michael Jackson, the perennial debate has resurfaced: when an artist does reprehensible things, what is the appropriate reaction to his art? Do we boycott, or can we indulge with a clear conscience?

This dilemma is not new. Roman Polanski, Woody Allen, Bill Cosby. Many of the greats have turned out to have feet of clay or worse. So where does that leave their art?

I have struggled with this, as have many people. In the end, when it comes to movies and TV and music, I have decided it is okay to enjoy the art despite the artist. These ventures are the product of multiple people’s efforts, and it seems unfair to punish all the others involved because of the actions of one.

Writers who have been called out for racism or misogyny are more problematic for me. A book is usually the work of a single person, and their worldview and biases almost always creep into their books. Names that come immediately to mind are H.P. Lovecraft, Orson Scott Card, and Laura Ingalls Wilder, all of whom have been subjects of controversy in the past few years. Lovecraft’s bust was removed as the statuette for the World Fantasy awards in 2015, Laura Ingalls Wilder’s name was removed from the Children’s Literature Legacy Award in 2018, and Orson Scott Card’s politics are acknowledged to be racist and homophobic. But where does that leave their works?

People are not black and white. We all are a mix of the ugly and the angel. Our society needs to stop with the either-or and realize it is “and”. These people did or said horrible things, AND they created art that moved us, touched us, became woven into the fabric of our lives. They were both beauty and beast.

Instead of jettisoning the beauty, we need to begin the difficult and painful task of contextualizing our celebrity heroes. Is it possible to condemn the actions, condemn the artist, while embracing the art? I believe it is. There is even a possibility that their lasting works of art grew out of the very damage that also caused them to behave in the ways they have—two sides of a coin.

Disgusting people can create beautiful art.

Brilliant artists can be awful human beings.

Evil people can do good things.

Their art can still teach us, touch us, and illuminate something deep about the human condition.

Art transcends time, space, and the artist themselves.

In the end, every consumer of art needs to draw their own line in the sand. That line will be different for each person. Predatory or bigoted behavior should absolutely be called out no matter who does it. But removing the good with the evil leaves the world a darker, bleaker place.

So my take is not to boycott the art, but to contextualize it, to teach the people coming to it for the first time where it came from. The artist’s actions will inevitably color the relationship of people to the art, as it should. This experience of placing the art in relation to the artist causes the viewer’s mind to wrestle with the deep complexity of human nature—which is exactly what art is supposed to do.

Developmental Editing: Necessary or Not Needed?

February 28, 2019 By Kerry Gans Leave a Comment

On Janet Reid’s blog, she weighed in on whether or not you needed a developmental edit of your manuscript prior to submitting a query to an agent. She and the commenters agreed that you do NOT need a developmental edit prior to querying.

Their feeling is that you can get your manuscript query-ready if you have good critique partners and beta readers. And I tend to agree with that.

That said, I have used a developmental editor for every manuscript I have ever queried. I realize I am lucky because I can afford developmental edits, which are not usually cheap.

For me, that edit is a very specific part of my writing process. My original writing process was honed with a writing partner who has since passed away. I am therefore very collaborative in my process. I do have critique partners who are the first to dig into the manuscript—usually after about the 3rd draft. Once I incorporate their feedback, I go through several more drafts.

Once I reach the point where I feel I cannot edit any better, when I have reached that point where I have lost objectivity, that’s when I go to my developmental editor. She gives me an in-depth edit of my full manuscript, showing me places I need to improve. The particular developmental editor I work with has an extraordinary feel for and understanding of character and emotion in the story, and that is precisely the area I want to focus on when I send things to her.

While I cannot claim these edits have given me a leg up in querying (I am still not represented), I can say I have learned a great deal from each one. Every manuscript has come back with fewer and fewer edits needed. Not only have the edits made each individual manuscript better, but they have collectively raised my craft level.

So while I agree that in most cases a developmental edit is not necessary prior to querying, for me the money has been worth it.

Do you use a developmental editor at any point in your process?

Three Benefits of Reading to Older Children

February 21, 2019 By Kerry Gans 1 Comment

Pretty much from the minute she came out of my belly, my husband and I read to our daughter. All through the infant and toddler years, books were everywhere. My girl had 3 bookshelves full of books all to herself long before preschool. Now she is nine and a reading dynamo. She reads at a 7th grade level and has read over 300 books in each of the past 2 summers. So you’d think she doesn’t need us to read to her anymore, right?

Wrong.

Reading aloud to your child at any age is still a bonding experience. Sharing the story, living it together, is a joint adventure. It’s a memory you make. It’s also a good teaching tool. The vocabulary building is a major benefit. Teaching the child how to properly pronounce words they’ve only read is a secondary benefit. For example, teaching my daughter that “yacht” was not pronounced “yack-et.” Haven’t we all been there, wanting to use a word in conversation but not having any idea how it’s said?

Another good reason to read with your older child is because it sparks conversations about deeper issues. We talk about why people behave the way they do in the story. We discuss why people in the story feel the way they do, and maybe how she would feel in a similar situation. Sometimes it will open a conversation about something that happened to her at school. It is a good way for a child to explore confusing or intimidating social situations from the safety of their home and their parents’ arms.

But one of the main reasons I like reading aloud to my older child is a sneaky one. My daughter loves to read, but she is resistant to trying new authors or series. I have been trying to get her to read Misty of Chincoteague for months, because I was sure she would like it. No dice. So on our President’s Day holiday, she asked me to read to her and I brought out Misty. I read to her for an hour and a half (pretty near lost my voice). She kept interrupting with questions about what was going to happen, paid close attention to everything, exclaimed and reacted in all the right places. And once I stopped reading it (about 3/4 of the way through), she took it with her and finished it by the next morning. And now she’s reading the sequel, Stormy, Misty’s Foal.

Success.

This is not the first time I have read her into a new series. I did it with the Little House books, too. My daughter is an anxious child, she dislikes going out of her comfort zone. So me reading a new book or author to her allows her to feel safe while exploring new works—and more often than not she then jumps in with both feet. So reading aloud to your older child is a great way to pique their interest in new books, series, and authors.

I will gladly read aloud to my daughter until she no longer wants me to. And I will continue to read “with” her by reading books she has to read for school. I want the book conversations to continue. I want the shared experience to continue. I want the bond to continue.

And then, someday, perhaps she will read to me when my eyesight is failing, and the circle will be complete.

Considering a Social Media Break

February 14, 2019 By Kerry Gans 2 Comments

First, Happy Valentine’s Day! Although I had many years where I had no romantic love on Valentine’s Day, I always looked at it as a day to celebrate everyone in my life who I loved–family and friends. Even though Valentine’s Day can make you feel lonely (been there), remembering that you are not really alone can help.

What doesn’t help when you are lonely on any holiday is social media. Seeing everyone else (appearing) to have a grand old time can hurt. So sometimes, when you know it will be a hard day for you, it might be a good idea to take a break from social media for that day. Be kind to yourself.

This thought, and this article by Roni Loren, made me think about taking my own break from social media. I really only spend time on one platform (Facebook), but I find I am spending an inordinate amount of time there lately. And it’s not useful time. I sometimes just find myself scrolling mindlessly down the feed, not even really registering what I am looking at. My problem is not so much that I check it obsessively, but that I can’t get off once I am on.

When I avoid getting on at all, I can be quite productive. And once I am involved in another project, I can effectively use social media as a reward. “Get X chapters done and then you can check your feed.” The trick is then getting off it in a reasonable amount of time. I only mean to be on for a few minutes, then suddenly I have lost hours to it!

So I am thinking of taking a break. Not completely. I would keep my blog up, for instance. My email is not a problem, as I get relatively few that need attention. It’s the social media. The purposely addictive nature of it sucks me in, and I feel like the constant bombardment of information is weakening my concentration skills. I used to be able to write for hours, now after 20 minutes I find my mind wandering.

There are some non-social reasons for me to be on Facebook, so I think a complete walkaway for more than a day or two is unrealistic. But hopefully I can confine my getting on to a couple of times a day, for about 15 minutes each. I’ll set a timer. I hope that doing so will “detox” my brain a bit an let me refocus on focusing.

I’m not sure when or for how long I will try this, but I think it has to happen at some point.

Have any of you taken social media breaks? How did it work out for you?

Writing Chiropractic: Making Adjustments to Your Flow

February 7, 2019 By Kerry Gans Leave a Comment

I see a chiropractor every couple of weeks. I admit to being skeptical at first, but thought I would try it. While he has not been able to fix everything on me, his adjustments have eliminated ling-standing hip pain, lessened both the frequency and length of chronic headaches, and gave me almost instant relief from excruciating hip pain from an injury. So adjustments have helped me immensely.

The basic premise of chiropractic care is to keep our spines aligned to allow for proper signal flow along the nerves. Misalignment in the spine (and elsewhere) can block the flow, causing pain or other malfunctions. So an adjustment will remove blockages and allow for proper body functioning.

We need to make such adjustments to our writing process from time to time, as well. Our writing process isn’t stagnant, and as we evolve as writers we need to adjust it. Our stories become more complex, the demands of our daily lives change, and what worked before may no longer work now. So we need to take a step back and look at our process, and see where we can remove blockages to get our productivity flowing again.

On a project level, we need to do the same with our stories. Does the flow work? The pacing, the character arc, the plot, must all flow together. If any one if those elements (or others like word-level rhythm) is blocked, the story doesn’t work smoothly and the reader loses interest. Revision provides us with the opportunity to make adjustments that make our prose glow.

Obviously there is no such thing as a writing chiropractor. So where do we go to find someone who can help us make the necessary adjustments? We can hire editors, use beta readers, critique groups, or critique partners. The feedback from any of these people can help us remove the blockages that are keeping our story from flowing properly.

Beating Imposter Syndrome: Don’t let it hold you back

January 31, 2019 By Kerry Gans Leave a Comment

While preparing this week’s Top Picks Thursday blog post for The Author Chronicles site, I read Joan Stewart’s blog post 9 inexpensive revenue streams for broke or struggling authors. One of her ideas was to write “special reports” that you then sell individually. That sounded like a good idea, and I started playing with ideas of what topics to consider. And then it struck: the dreaded Imposter Syndrome.

Every topic I thought of, I wondered what gave me the right to think I could speak authoritatively on that topic. There were certainly other people out there who knew more about it than I did. People who are true experts in that topic—and topic—every topic. Who did I think I was?

This is how Imposter Syndrome holds us back. By making us believe we are not good enough, don’t know enough, don’t have the right credentials. By making us feel this way, Imposter Syndrome robs us of our voice, causes us to pass up opportunities, and makes us doubt our value.

There will always be someone who knows more than you, who is more of an expert. But that does not mean you can’t bring value to the discussion. Perhaps your information is available and accessible in a way the expert information is not. Perhaps your information approaches the topic from a different angle than is usually presented. Perhaps you synthesize two viewpoints not normally seen side-by-side. Perhaps you simply have such a passion for the topic that you want to share it with everyone.

Your interest in the topic will be unique simply because you are unique. In much the same way that a story you write will never be the same as anyone else’s, even if the premises are the same, your take on the topic will be different than anyone else’s. So don’t feel like an imposter. As Darren Rowse reminds us, you can write on a topic without being an expert.

So don’t let Imposter Syndrome paralyze you. Write about topics you love. Explore them and take your readers along with you. And the more you write on the topic, the more expert you will become. Soon you will be an imposter no more!

Has Imposter Syndrome ever gotten in the way of your life? How did you overcome it?

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