Machetes vs. Machinists: Reaching word count

I never liked math, which is one reason I decided against becoming a scientist (always loved astronomy). I went into writing because you don’t need math, right? Wrong! Who knew how often numbers would come into play?

The business side of things obviously contains a lot of math. Like figuring out percentages in contracts or how many books you need to sell to earn out your advance. Or how far you can stretch your money in a publicity campaign. Or how many conferences or workshops you can go to in a year. Or if you can pay your babysitter in Monopoly money.

I never realized how many times numbers can figure in the actual writing of the book, though. I mean, it’s words, right? But the devil is in the details, and one of the biggest details authors need to be cognizant of is word count. You know—a number.

Every genre has its own word count range, and authors would do well to try and follow them. If the author becomes the next J. K. Rowling, then word count goes out the window, but an aspiring author had better treat that number as if it is set in stone.

How do you make sure you reach that magic number? I have found two ways of approaching it. One, you write without counting and then edit down, like using a machete to cut your way through the jungle. Two, you control precisely how long each chapter is as you go along, with very little editing needed on the back end, like a meticulous watchmaker.

Personally, I am a practitioner of formula one. I write my first draft with no thought to word count at all. Which is fine because my first drafts are usually written short—I tend to leave out a lot of description and depth. My second draft is where my manuscript packs on pounds. I elaborate on everything that needs depth and color and description, and my word count balloons. It is only in the third draft that I start working on word count, trying to trim and rearrange and streamline things. Normally, I have no trouble getting down to my word count.

Those who follow formula two are something of a mystery to me. I see them post things on Facebook like, “I’m 1,000 words from my end!” How on Earth do they know how many words away they are? Chapters I could understand, but words? I suspect these writers have a very precise outline they follow, which would help them figure out words per chapter, etc. If any reader out there can elaborate on this technique, feel free to share!

So which are you? A machete-wielder or a precision machinist?

Darkness in Children’s Literature

“Fairy tales do not tell children that dragons exist. Children already know that dragons exist. Fairy tales tell children that dragons can be killed.” — G.K. Chesterton

 I saw this quote posted on a friend’s Facebook status, and fell in love with it. There are some people who believe that children’s books should not deal with darkness. Nothing should be scary, and no serious topics dealt with. Everything should be comforting, light and happy.

 How boring.

 Yes, some children cannot handle scary things in books, and maybe a literary diet with more sunshine and roses is best for them. But books are a way for kids to put words to their feelings of fear and to learn to vanquish that fear. After all, if a child is scared to death of a book, how will that child deal with the scary things in real life?

 Children are not blind, nor are they stupid. They see the same awful things in this world as we do, no matter how hard we try to protect them. Children, however, often lack the tools to process and deal with the evil in the world. Heck, sometimes even adults lack those tools! Many children’s books, fairy tales in particular, face the evil and show that it can be abolished. Good can triumph. J.K. Rowling’s Harry Potter and Lemony Snicket’s A Series of Unfortunate Events, just to name two successful series, prove that kids are open to reading about the dark side of life, and cheer for protagonists who can beat the darkness back. It helps empower children, to have them see children win out against evil done by adults.

 Not allowing children’s literature to explore the darkness in our world does a disservice to children. Yes, here there be dragons. But here also be dragon slayers.

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