The Value of Looking Back

October 10, 2019 By Leave a Comment

This past week I have had characters from the past haunting my thoughts. Way back in the day, in high school and college, my best friend and I cut our writing teeth on fan fiction. Miami Vice fanfic, to be precise. It was the characters we created for this series that kept pushing their way into my mind last week.

Finally, on Monday, I pulled out one of these old stories and read it all the way through. The world and the people leapt to life for me like they had all those years ago. And the thing is, it wasn’t bad. Sure, it had a glaring plot hole, and our POV did some head-hopping, but the bones were there. The plot and subplots worked together, and the characters were strong and real.

I don’t know why I felt so compelled to revisit these stories, these characters, but I am glad I did. I saw how much my writing has improved, for one thing. But it also reminded me of when writing was fun. No deadlines, no criticism, just me and my best friend spinning tales.

And maybe it was my best friend sending a message to me. She died in 2004, and I lost my writing collaborator as well as my best friend. Perhaps she was reminding me of who I really am. It is so easy as an adult to lose yourself in all the roles you play—wife, mother, daughter, volunteer positions, organizations you are involved in. If you’re not careful, you lose yourself in all the noise. I admit to feeling a bit unmoored lately, wandering in the wilderness of busyness and anxiety.

Looking back at old work has a great deal of value. First, you gain perspective on how far you have come craft-wise. Second, it grounds you in who you are. And third, it reminds you why you used to write in the first place—for joy and excitement.

Have you ever gone back and read your early work?

Summer’s End

August 28, 2019 By 1 Comment

This time next week my child will be back in school, and I will have 6 hours a day to get work done in peace.

Of course, it never ends up being 6 free hours. I do errands and sometimes chores, and other things that require concentrated time. And naps. I admit to naps.

However, it will be a relief to have some space to stretch, some flexibility. Summer is a time of squeezing writing into the nooks and crannies of life. While this may work well for some writers, my brain struggles to work that way, and it leaves me frazzled and exhausted.

I love the time I get with my daughter during the summer. I enjoy the family adventures when we travel. The slower pace of life is a welcome change from the often-hectic school year. But I confess to relief in getting my “me time” back.

I have several projects I want to work on, so my ambitions are high, as they tend to be. Sometimes unrealistically high. But for the first time in several years, I feel like I might be up to the task. We shall see what the school year brings for me.

Does the end of summer bring you more or less time to write?

Celebrating Your Milestones

August 15, 2019 By Leave a Comment

Writing a novel is a slog. It’s a marathon. It takes a great deal of perseverance and guts. It can feel like putting together a jigsaw puzzle without looking at the picture.

Because it’s such an arduous process, it’s a smart move to celebrate different milestones along the way. What you celebrate and how you celebrate, will be unique to you, and that’s fine, because it’s about motivating you to get to The End.

So, I finished Veritas a while ago. And I sent it around to agents. And got one who was interested, but wanted some edits done. After some soul searching, a lot of ice cream, and a chat with my friend Kathryn Craft, I saw a way forward with the edits that I could get behind.

My first step was reworking the main character’s POV. I chipped away at it and finally finished. But I still had 2 POVs to go, and I seemed unable to find the time I needed to dive into them.

The stars aligned this month. My daughter went to sleepaway camp and I was able to take off from my usual blogging duties thanks to fellow Author Chronicler J. Thomas Ross. So I threw myself into my work.

And I did it! All three POVs are finished. The breakdown went like this:
Jinx: original 30,200 words, new 38,700
Ace: original 39,900, new 30,400
Kit: original 9,700, new 4,100

It also dropped the total words from original 79,900 to now 73,300. That seems a touch short for YA scifi, but it’s very probable I will be adding things in as I go through the next few passes, so hopefully I will be closer to the golden 80,000 number by the time I am finished

As I mentioned above, I’m not finished with the rewrite. I need to go through it at least two more times for continuity and tone and see if I need to add in anything else to make the new version smooth.

While there is still more to do, I feel like the heavy lifting is done. So I am celebrating!

What are you celebrating today?

Eating Away at Characters

July 11, 2019 By 1 Comment

As I sat in the dentist’s office as my daughter got her cavities filled, I thought about the types of things eating away at people, physically, emotionally, and spiritually.

Physically, disease eats away at people. Think cancer or dementia or autoimmune problems. Those things quietly gnaw away at the person, stealing pieces of them as they progress.

Emotionally, everyone has their demons. Jealousy or anger or fear. Sometimes these emotions run unseen, deep underground, eroding the person from within.

Spiritually, people wrestle with feelings of inadequacy, or frustration, or failure. They may feel stuck, or like their dreams are dead. This daily numbing of the spirit can lead to apathy and just going through the motions.

The hidden problems that eat away at people on a daily basis are interesting to apply to characters. We all try and give our characters at least one major flaw, usually one they have to overcome by the end of the story, but I know I don’t often think too deeply beyond that. A smaller, repressed undercurrent running through the whole book layers the character and makes them more authentic.

For instance, suppose your character has always resented how easily their sibling seems to accomplish anything they set out to do, while they struggle and get nowhere. This resentment explode at some inopportune moment in the plot. It’s an extra layer of tension bubbling away under the surface the entire story.

Examining the unseen elements eating away at our characters will add nuance and depth to the characters and the story. Hopefully the story events will clean out and fill these demons gnawing away at the character—just like with my daughter’s cavities.

Philadelphia Writers’ Conference 2019: My Biggest Takeaway

June 13, 2019 By 1 Comment

This past weekend was the Philadelphia Writers Conference. I consider it my “home” conference, and I have been going for about 10 years.

Every year I think about what my biggest takeaway is from the conference. I learn so much every year, it’s hard to pick. This year, one thing echoed in almost every workshop: there is no one right way to write.

There are so many ways to write a book. Plotting vs. Pantsing. Linear vs. The Jigsaw Puzzle. Scientific vs. Intuition. Efficient vs. Meandering. And you know what? They are all valid. As long as you end up with a finished, polished product, it’s all good.

The thing I have found about the writing process is that it changes over time. It changes as your skills mature, and according to the needs of your book. For example, my multiple-POV, multiple-subplot YA scifi required more planning than my middle grade single-POV quest story.

Young authors often think there is only one correct way to write a book, and that the professional teaching the workshop is the holder of that Holy Grail. This is certainly not the case, and I was heartened to hear so many of the workshop leaders espouse the uniqueness of each person’s process.

A great thing about a multi-day conference is that we get to concentrate on the writing. We can dim or even turn out the lights of the outside world and immerse ourselves in the writing world. At the beginning of one of my classes, a bird got into the room. It flew around, disoriented, banging into the mirror, until one person got the smart idea to open the doors and turn out the lights in the room. As soon as we turned out the lights, the bird raced to the open doors and flew through to freedom.

Go into the light, my friends—and write your own way.

Mirror, Mirror: Valjean & Javert in Les Misérables

May 16, 2019 By Leave a Comment

**Spoilers if you have not yet seen Les Misérables or know the story.**

Les Misérables has been one of my favorite musicals since I first saw it in Philadelphia while in college. One of the main drivers of this play is the conflict between escaped but reformed criminal Valjean and pursuing police officer Javert. These two characters aren’t just antagonists, but mirror each other.

We see this clearly in the song “The Confrontation“, where their different trajectories are laid out. Valjean, a decent man trying to live right but driven to break the law by desperate circumstances, and Javert, born in a prison and rising to become a true believer in the law he upholds. Their views of the world are opposite but related: Javert’s is unquestioning black and white, while Valjean sees shades of gray. They both feel people should do the right thing, but they differ on the role of mercy in dispensing justice.

A brilliant mirror effect in Les Misérables is the mirroring of “Valjean’s Soliloquy” and “Javert’s Suicide” (see here for lyrics and comparison). These songs are the same melody,  but different words–belying the very words Javert sings “there is nothing on Earth that we share: it is either Valjean or Javert.”

Each character experiences the same event: an act of mercy that saves his life and gives him freedom. The same act, but with two very different reactions.

In Valjean’s case, a man of God breaks the law to give Valjean a chance at redemption. In Javert’s case, Valjean refuses to kill Javert when he is outed as a spy. Instead, he frees Javert and forgives him for his relentless pursuit over the years.

For Valjean, the priest’s act of mercy is life-changing. “What spirit comes to move my life? Is there another way to go?” For Javert, Valjean’s mercy is life-shattering. “And must I now begin to doubt, who never doubted all these years?”

Valjean sees the act as a gift: “Yet why did I allow this man to touch my soul and teach me love?”. Javert sees the freely-given mercy as a power play: “How can I now allow this man to hold dominion over me?”

Ultimately, their different world views lead to opposite outcomes when this same act of mercy challenges their current belief system. Valjean accepts the mercy as a chance for redemption: “Jean Valjean is nothing now; another story must begin.” Javert, however,  cannot let go of his unyielding belief that the law must not be questioned. “There is nowhere I can turn; there is no way to go on.”

This intricate play of similarities in protagonist and antagonist should be a lesson for all writers. When the characters have certain beliefs in common, it makes both accessible to the reader. The mirror differences in the characters explores an issue confronting the human condition. When characters have similar base beliefs, it creates tension by opening the door for EITHER the villain’s redemption OR the hero’s fall. This dual possibility will help keep your readers engaged to the very end.

What other stories have great mirrored characters? Do you use mirroring in your work?

Celebrating the Small Victories

May 2, 2019 By Leave a Comment

Face it, we live in a world where society only celebrates the big victories. But many of us don’t have huge victories to crow about, and therefore feel like we’re not enough. I’ve got good news for you, though–even small victories are victories.

Small victories are earned, just like the large ones. In fact, most often the large victories can’t even happen without the small ones happening first. Can’t publish a book if you don’t write it first. Can’t write it except one chapter at a a time. Can’t write a chapter without sentences.

So it ALL COUNTS.

Words on the page. Forward progress. Baby steps. It all adds up, and it all becomes something bigger than the sum of its parts. A lot of us have family obligations, day jobs, other must-do things on the To Do List. So just showing up to do the work is a victory.

Why am I thinking of small victories today? Because in April, I racked up almost 16,400 words for the month. Which is more than twice as much as the previous best month of 2019. Even more exciting to me is that 10,500 of those words were revision of my YA novel Veritas.

April's small victories

I have not worked on Veritas in any word-countable way since September of 2018. Half a year ago.

I was working on it, in fits and starts, but not in the computer. I revised longhand, working from a printed copy. The revision is still far from finished, but I’ve made substantial progress–enough to put my revisions to date into the computer and print a new version to move ahead with.

It’s gratifying to see the longhand-work translate into word count. A small victory, slow in coming, but I am happy with it.

Maybe next month I will break 20,000 words.

Small victories. What victories are you celebrating today?

Revision Difficulty? Maybe it’s your theme

April 11, 2019 By Leave a Comment

I’ve been trying to revise Vertias for a long while now. I’m struggling with it, which is unusual for me. I normally love revision. So what’s the problem this time?

My first thought is perhaps I subconsciously don’t want to make the suggested revisions. This idea has merit, since none of us like to hear that our work is not quite up to par. However, I can see the value of most of the suggestions, and the changes I have already made have strengthened the story.

That should have been enough to get me excited, but it hasn’t. I still find myself procrastinating. Avoiding. Making excuses.

Truthfully, I’ve found it hard to get excited about anything writing related for a while. The burnout is real, and could also be why I’m struggling. But I don’t think it is—or at least isn’t the whole answer. Because when I get past the procrastination and into the work, it feels good.

Then I read K.M. Weiland’s post about plot and theme. And I got to thinking that perhaps in the almost 2 years since I first finished it, the theme had shifted. Now the plot and theme might not be working together seamlessly, and that’s why the revision is hard.

A lot has happened since I first wrote Veritas. Trump became president. My husband was away for nearly 10 months. The world has changed. I have changed. I am not who I was when I wrote that book…and maybe now I’m trying to say something different.

Every story has multiple themes, as evidenced by how many different ways readers interpret the same story’s meaning. The theme that I am working with now was in the original, but was a sub theme. Now it wants to take center stage.

If I let it, the revisions will be deeper and wider than expected. They will be more difficult. But maybe they will also finally be exciting again—a challenge to be conquered rather than a chore to be avoided.

Have you ever had a theme change in mid-stream? Or a life change that makes you see your book in a whole new way?

Developmental Editing: Necessary or Not Needed?

February 28, 2019 By Leave a Comment

On Janet Reid’s blog, she weighed in on whether or not you needed a developmental edit of your manuscript prior to submitting a query to an agent. She and the commenters agreed that you do NOT need a developmental edit prior to querying.

Their feeling is that you can get your manuscript query-ready if you have good critique partners and beta readers. And I tend to agree with that.

That said, I have used a developmental editor for every manuscript I have ever queried. I realize I am lucky because I can afford developmental edits, which are not usually cheap.

For me, that edit is a very specific part of my writing process. My original writing process was honed with a writing partner who has since passed away. I am therefore very collaborative in my process. I do have critique partners who are the first to dig into the manuscript—usually after about the 3rd draft. Once I incorporate their feedback, I go through several more drafts.

Once I reach the point where I feel I cannot edit any better, when I have reached that point where I have lost objectivity, that’s when I go to my developmental editor. She gives me an in-depth edit of my full manuscript, showing me places I need to improve. The particular developmental editor I work with has an extraordinary feel for and understanding of character and emotion in the story, and that is precisely the area I want to focus on when I send things to her.

While I cannot claim these edits have given me a leg up in querying (I am still not represented), I can say I have learned a great deal from each one. Every manuscript has come back with fewer and fewer edits needed. Not only have the edits made each individual manuscript better, but they have collectively raised my craft level.

So while I agree that in most cases a developmental edit is not necessary prior to querying, for me the money has been worth it.

Do you use a developmental editor at any point in your process?

Writing Chiropractic: Making Adjustments to Your Flow

February 7, 2019 By Leave a Comment

I see a chiropractor every couple of weeks. I admit to being skeptical at first, but thought I would try it. While he has not been able to fix everything on me, his adjustments have eliminated ling-standing hip pain, lessened both the frequency and length of chronic headaches, and gave me almost instant relief from excruciating hip pain from an injury. So adjustments have helped me immensely.

The basic premise of chiropractic care is to keep our spines aligned to allow for proper signal flow along the nerves. Misalignment in the spine (and elsewhere) can block the flow, causing pain or other malfunctions. So an adjustment will remove blockages and allow for proper body functioning.

We need to make such adjustments to our writing process from time to time, as well. Our writing process isn’t stagnant, and as we evolve as writers we need to adjust it. Our stories become more complex, the demands of our daily lives change, and what worked before may no longer work now. So we need to take a step back and look at our process, and see where we can remove blockages to get our productivity flowing again.

On a project level, we need to do the same with our stories. Does the flow work? The pacing, the character arc, the plot, must all flow together. If any one if those elements (or others like word-level rhythm) is blocked, the story doesn’t work smoothly and the reader loses interest. Revision provides us with the opportunity to make adjustments that make our prose glow.

Obviously there is no such thing as a writing chiropractor. So where do we go to find someone who can help us make the necessary adjustments? We can hire editors, use beta readers, critique groups, or critique partners. The feedback from any of these people can help us remove the blockages that are keeping our story from flowing properly.

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