5 Lessons about Writing from Recess Runners

My daughter’s school has a program called Recess Runners. It is a totally voluntary program where kids can come at recess and run or walk around a 1/4 mile track. When they amass a mile, they get a token to hang on their necklace.

Now, if anyone had told me in school that I had the option of running a mile at recess for fun, I would have told them “No way!”. But the program is very popular. Lots of kids running/walking. And I realized I could take some writing lessons from those kids.

1. Find the joy

These kids are having fun. Some are running because they love to run. Some enjoy walking and chatting with their friends. But it is fun for them. Sometimes I get so wrapped up in the business side of writing that I forget to have fun. Or I lose the fun of writing under the constant worry that this book won’t be good enough. I need to find the fun again—feel the wind in my face as I write.

2. Go at your own pace

They all start at the same line, but they all go at their own pace. Some zip around 4 or more times in one recess. Some make it twice. For some it’s a struggle; for some it’s easy. But they all made progress. It can be hard not to compare your own career to other people’s. Some authors are prolific, pouring out books like coffee. Some are snails, a book every few years. My journey is different from theirs, and I need to remember that.

3. Remember this was voluntary

The kids don’t have to participate. They don’t even have to participate in every session. It’s a choice for them. Writing is, too. Well, maybe not the urge to write, but the choice to write for publication. I chose to go the extra mile to continually improve my craft and pay for workshops and conferences and edits. I chose to seek representation and the rejection that inevitably comes with that process. So if it ever becomes too much, I can choose to reassess and see if it’s still where I want to be.

4. Set your own goals

Every kid has a different reason for being there. Some just want to run and get energy out. Some are competitive and want to rack up as many tokens as they can. Some are there because they want to be healthier and get more exercise. Some just want to walk and chat with their friends. Every writer has their own goals, too. Some only have one book and just want it out there. Some don’t care about the money and just want to see their work available. Some want to make a living at this writing gig. My own goals are modest, realistic, and so far largely unattained. But I am working toward them, just like all those kids are.

5. It’s the effort that counts

The biggest thing I’ve taken away from this, however, is that it’s all in the journey. The striving is what needs to be applauded. We can’t always control the outcomes of our efforts, and we won’t always reach our goals. But we are in control of our effort, our dedication, and our attitude. I won’t use the platitude that the work is its own reward (although sometimes it is), but sometimes the effort leads to opportunities and rewards we didn’t expect, if we are open to them.

So kudos to all the kids having fun running, and I hope to incorporate the lessons I have learned from them in my writing life.

Developmental Editing: Necessary or Not Needed?

On Janet Reid’s blog, she weighed in on whether or not you needed a developmental edit of your manuscript prior to submitting a query to an agent. She and the commenters agreed that you do NOT need a developmental edit prior to querying.

Their feeling is that you can get your manuscript query-ready if you have good critique partners and beta readers. And I tend to agree with that.

That said, I have used a developmental editor for every manuscript I have ever queried. I realize I am lucky because I can afford developmental edits, which are not usually cheap.

For me, that edit is a very specific part of my writing process. My original writing process was honed with a writing partner who has since passed away. I am therefore very collaborative in my process. I do have critique partners who are the first to dig into the manuscript—usually after about the 3rd draft. Once I incorporate their feedback, I go through several more drafts.

Once I reach the point where I feel I cannot edit any better, when I have reached that point where I have lost objectivity, that’s when I go to my developmental editor. She gives me an in-depth edit of my full manuscript, showing me places I need to improve. The particular developmental editor I work with has an extraordinary feel for and understanding of character and emotion in the story, and that is precisely the area I want to focus on when I send things to her.

While I cannot claim these edits have given me a leg up in querying (I am still not represented), I can say I have learned a great deal from each one. Every manuscript has come back with fewer and fewer edits needed. Not only have the edits made each individual manuscript better, but they have collectively raised my craft level.

So while I agree that in most cases a developmental edit is not necessary prior to querying, for me the money has been worth it.

Do you use a developmental editor at any point in your process?

Veritas Synopsis

I have finished sending out my 50 queries for The Curse of the Pharaoh’s Stone. Now, I am starting on the list for Veritas. First, however, I need to assemble the materials usually required for submission. I have a query letter and a polished manuscript, but I need the final piece–the synopsis.

The synopsis can be a chore. Squeezing 80,000 words down to one page is never easy. Doing it without losing the voice, emotion, and energy of the novel often seems impossible. For many authors, writing the synopsis is a hair-pulling endeavor.

The book I am writing a synopsis forI liked the synopsis I did for Pharaoh’s Stone, so I decided to use the same process to create the Veritas synopsis. Since this novel has three POV characters, there is pretty much no chance of fitting the entire story on one page unless I pick a single character’s story to tell. Luckily, even though all the characters arc, Jinx’s story is the central line. So hers is the story the synopsis will tell.

First, I write a sentence or two about each chapter. Then I work on making each of those as emotional and active as possible. Doing this helps avoid the “and then”, “and then”, “and then” feel of many synopses. After that, I weave those summaries together into a seamless description of the story.

If I am lucky, this polished version will be about 3 double-spaced pages, the length of a typical “long” synopsis. If not, I tweak it until it fits. Next, I single-space what I have, because a 1-page synopsis needs to be single-spaced. This version will be about 1.5 pages long, but pulling out only half a page is not terribly daunting.

A final read-through, plus another set of eyes to find mistakes, and the synopsis will be ready. Then the querying can begin!

What is your synopsis-writing process like?

How Many Rejections Is Enough to Give Up on a Story?

While many writers are choosing to go the self-publishing route in order to reap the many benefits of that path, I’m still pursuing the traditional route of trying to get an agent. Thus the newest round of queries I blogged about last week. While I am having decent response, I am also seeing rejections, and I got to wondering: is there a certain number of rejections where you should get the hint and stop querying?

Because I can’t help thinking much farther ahead than I need to (thank you, anxiety disorder), I do wonder what to do if this round of queries doesn’t land me an agent. If no agent bites, that will be over 100 rejections. In the past, that many rejections would probably signal an end to that manuscript’s life, but these days it opens up a new dilemma: Do I put the manuscript in a drawer, or move onto self-publishing?

Concept cover of The Curse of the Pharaoh's StoneI hate to put The Curse of the Pharaoh’s Stone in the drawer. It has had a long and unique gestation, so the manuscript is special to me. In addition, I truly believe in this story. Beta readers, both teachers and middle grade students,  loved it, and I feel in my bones that Pharaoh’s Stone has the potential to go far.

But do I really want to carry the weight of doing everything myself? That’s the trade off. Although the marketing largely falls to the author no matter which route you take, the initial editing, book design, cover design, and all the formatting is taken care of with traditional publishing. That’s a huge investment in time and money, as well as a steep learning curve.

The good news is that I have 2 coauthors on Pharaoh’s Stone, so this is not a decision I need to make alone. The other good news is that we have a long way to go before we need to have this discussion. We still have 48 agents to hear back from.

If you go the traditional route, at what point do you “give up” on a manuscript finding a home? Is there a magic rejection number?

Query-Go-Round 2018

January seems to be query month for me.

Last January, I queried my middle grade book The Curse of the Pharaoh’s Stone. It had some interest, but no bites. After my initial list of 50 agents passed, other issues became more pressing, and I did not continue sending it out.

Over Christmas break this past December, I compiled another list of 50 more agents for Pharaoh’s Stone, and am once more on the query-go-round.

Last time around, I wrote and compiled all 50 queries before I sent anything out. Because each agency wants you to send different material, every query is a little different. Some agencies want just a query letter, others want a certain amount of pages, others want a synopsis, and a few have online submission forms. Preparing them all is a time-consuming process.

This year, I am compiling the queries as I go along. I prepare and send about 5 a day, sometimes more, but never more than 5 at a time. I find that if I do any more than 5, I lose focus and make mistakes.

I’m not sure which approach I prefer. Compiling all the queries ahead of time allowed me to send them all out within 5 days. Doing them as I go along will take me longer to get them all out the door. I suspect the total amount of time invested is the same, it’s just a psychological difference—personal preference.

I keep a list of all the agents I contacted in Excel. Name, contact info, submission requirements,  date I sent the query, and the result. Because so many agents now have a “no interest, no answer” policy, I also have a column that tracks how many days without a response. Some agents give you a time limit beyond which means they aren’t interested, so this column allows me to see at a glance if we’ve passed the deadline. As I send the queries out, I color code my agent database. Green for those out, red for the passes, and yellow for requests for full or partials. So far I have one yellow. 🙂

Do you find that you tend to query at certain times of year? What’s your query process?

November 1st: The Most Wonderful Date of the Year

And no, it has nothing to do with NaNoWri Mo. I have never done National Novel Writing Month in November, although I would like to at least once in my life. This year will not be the year, however.

No, I love November 1st because that means October is over! The last 10 days of October are a whirlwind for me: parents’ anniversary, my anniversary, my daughter’s birthday, then Halloween and all the concurrent festivals and festivities. For an introvert like myself, that’s a lot of socializing in a short amount of time. It’s also quite a bit of planning and errand running to pull off the birthday and Halloween so close together.

So when November 1st dawns, I take a deep breath and revel in the sudden silence of my social calendar. Not that November won’t be busy—I am the mom of an elementary school child, a working author, and there’s that whole Thanksgiving thing—but the month goes back to the normal level of crazy.

Although I am not doing NaNoWriMo, I plan on doing NaNoEdMo—National Novel Editing Month. I got my latest manuscript back from my editor in August, and didn’t get to look at it until October. So now I intend to buckle down and finish the revisions this month. By the end of November, I want to have a shiny manuscript ready to be sent out to agents.

Then I can spend December compiling my list of agents, readying the materials needed to send to them (query, synopsis of varying lengths), and be ready for a query storm in the New Year.

So now that I can breathe, that is my plan for the month. We shall see how well my plans pan out, since we all know how often life derails our plans!

What are you doing for November?

Rejection & Perseverance

Latest title to get a rejection

(Concept art)

I’m shopping a middle grade historical adventure, The Curse of the Pharaoh’s Stone. I’ve had wonderful feedback from all of our beta readers, and am very excited about the quality and prospects of this book.

Unfortunately, real life has other ideas. I have queried 50 agents. 3 requested fulls (yay!), but all ultimately passed. The rest of the agents either passed on the query (19) or have not answered at all (28), which is usually an assumed rejection.

The last agent who requested just passed Tuesday, so at the moment I am in the pity party stage of acceptance. And I will allow myself to feel it until Thursday. After that, it’s back on the horse. (A horse actually threw me once, so I know how this goes.)

I’ll compile a new list of agents and start over. Maybe take another critical look at the query, although 3 requests is not bad in today’s market. And then I’ll send them out.

Am I glutton for rejection? No. I am a stubborn writer who has a book I believe in passionately. Somewhere out there is an agent who will believe in this book as much as I do.

We just need to find each other.

Do any of you have a cutoff point for when you stop querying?

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In The Query Trenches

One of the goals I am hoping to achieve this year is getting an agent. I know that goal is not completely dependent on me, but my goal is to take the query steps I can to make that happen.

So, since I have a manuscript ready to submit, I started the process in December. After many hours exploring agents, I discovered the top ones in my genre. I created a database of 50 agents, and prepared to contact them in January.

I worked on my query both with my 2 co-authors for this manuscript and with “outside” eyes for objectivity. After we had the skeleton, I wrote all the query letters, personalized them and formatted them as the agent specified in their submission guidelines. I pasted the appropriate number of manuscript pages and any other requested material (such as synopsis) after the letter. Also, I made sure my contact info and links to my website and other social media were included after the signature of the letter.

Every Monday I sent out 10. If I got a rejection back, I would send out another immediately. By January 23rd all the queries but 2 who were closed to queries until February were sent. I had ended up with a total of 51 queries because one agent referred me to a fellow agent as a better fit.

So how’s it going? With 49 queries out, I got 11 rejections, 2 full requests, and the rest are still pending. Eventually I will have to start marking the “no response means no interest” people off my list, but I usually wait at least 2 months for that.

Now that the queries are out, it’s a waiting game. I am moving my attention back to another manuscript that I hope to have ready to query sometime this year. So if the current one on submission doesn’t land me an agent, maybe the next one will!

Anyone else on the query-go-round? How are you holding up?

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