A Change of Place: Creativity and Location

So many things can impact our creativity—how we feel, what we eat, time of day, how much we’ve slept, outside worries. But one major component of creativity is place. Where we write. How does where we write influence what we write?

I’ve often read advice that we should have a specific place where we write. Perhaps an office, a local coffee shop, the library, or even a spot in our home. I’ve even heard that if you write on your sofa (as I do) you should write at one end and watch TV, etc., from the other. The idea behind all this advice is that having a dedicated writing space triggers your creativity because it trains your brain to write when you are in that spot.

This week I had a much larger change of place than the opposite end of my sofa. I spent some of the week in North Carolina, in a small rural town in the Blue Ridge Mountains. Over the years, I have noticed that this change of place triggers a change in mindset for me almost every time. For some reason, genealogy obsesses me when in North Carolina.

genealogy obsession heightening in one place

Now, it doesn’t take much to get me chasing down rabbit holes for genealogy. But for some reason, the past feels much closer to me while I am there. Perhaps it is because the town often feels like it is from a bygone era, and the surrounding mountains have a timeless quality. The many farms could be from a hundred years ago, and the pace of life is slower. Not everyone knows everyone, but the community is close knit. In the way of rural communities, many earlier generations had more than the 2.5 kids families have now, so kin networks sprawl across the land. The past is still very present here.

Maybe part of the mindset shift is because we come here specifically to visit family, so family is very much top-of-mind. Whatever the reason, it ramps up my genealogy obsession and I want to chase ghosts for hours.

This got me wondering what kind of stories I would write if I lived there. Would I still write fantasy and science fiction? Or would I be drawn to family dramas and small-town conflicts? What stories I would write if I lived on Chincoteague Island, as I did for 8 months one year? Would I be writing stories of wind and sea and sky?

Assateague Island--a favorite place

Your location undoubtedly influences your writing, from topics to characters to theme. While a temporary relocation may not fundamentally alter what or how you write, a change of place can shake up your creativity and dig you out of a funk, break a writer’s block, or give you a new perspective on some element of your story.

Do you have a specific place you write? Have you found your creativity influenced when you have a change of place?

What place will you sail away to?

by William T. Gans, Sr.

Save

Save

Save

Save

Save

Books and Community

Books are magic.

This childhood belief is still with me today. And since books are found in the library, libraries are magic, too. At the main branch of my hometown library, I would trot down those white steps to the Children’s section, where they had all these books JUST FOR ME.

When I was a little older, I would ride my bike to the local library branch. It was only as big as two and a half garages, but I loved going in there. It was intimate and I knew where all my favorite books lived, which only reinforced the feeling that IT WAS MINE. My Camp Fire Girl troop decorated it for Christmas every year, and that bolstered this feeling of possession.

Even in college, when the library was on a much grander scale, I would walk though the doors and a peace would settle on me. The library calmed me, sheltered me, and educated me. I felt, in a word, WELCOME.

Libraries have always evoked a sense of belonging. That they belonged to you and you somehow belonged to them. Before the Internet, I spent hours there, as did my peers. Libraries were a community hub, and even today they reach out to the community in various ways and try to fill the needs of their patrons.

When I lived in Chincoteague, VA, last year, one of the first community events I attended was the dedication of the new wing of the library. My baby girl and I were frequent visitors there, always welcomed warmly into the beautiful children’s room the addition housed. That gorgeous addition, built to echo a lighthouse, was the direct result of years of support and fundraising from the local island community.

So for me, books and community have always gone together. Independent bookstores, too, have always evoked this feeling in me. I think that what makes most indies comfortable to me is their size, which is usually on the smaller end of the retail scale. They are eminently browseable, and permeated with the love of books. And so many of them are active supporters of their local communities, as well as hosting book-related groups and author appearances within their walls.

Even though I am a book-lover from way back, when I first heard about the Collingswood Book Festival from author friends Keith Strunk and Marie Lamba, I had my doubts about going. What could a sprawling 6-block bookfest offer to someone like me – shy, easily overwhelmed in crowds, and toting a toddler? Wouldn’t it just feel like a huge garage sale? But I decided to go to support my friends and their fellow Liars Club members Merry Jones, Gregory Frost, Kelly Simmons, Solomon Jones, and Keith DeCandido.

I loved it.

It was book overload, but in a great way. I could have spent the entire day there, browsing, listening to panels, and just enjoying the community. Did I say community? Yes, I did. The Collingswood Book Festival was a community affair through and through, with kid-oriented LoompaLand as well as music and the usual fest-type foods. Unfortunately, I could only stay a short time because of my toddler, but I will be back next year, hopefully toddler-free, to browse the day away. For another view of the Book Festival (with pictures!), visit my friend J. Thomas Ross’ blog.

Books can transport you to faraway places—and they can bring local communities closer together.

Books are magic.

Haven

Last week I returned to Chincoteague. For eight months last year, this little island and its wild companion Assateague fed my soul and sheltered me from the hustle and bustle of the hectic pace of modern life. Going back, even for a couple of days, felt like returning home.

Is it possible to have a soul-place, the way people have a soul-mate? Some people don’t believe in soulmates but I do, having found mine. So is it possible that a soul has a place, or at least a type of place, where it can grow and expand and utterly belong?

If so, Chincoteague and Assateague are mine. The first time I set foot on the island, it felt like home. Not because I felt I knew it, but more like the island knew me. Like it had been waiting for me to find my way to it–to find my way back where I belonged. Sounds weird, perhaps (or eerily like the premise to Lost). All I know is that after several days there I was more at home than after several years in Jersey.

On my recent trip back, I of course had to visit Assateague, the wildlife refuge next door. Assateague in winter is bleak, but hopelessly beautiful nonetheless. Birds, ducks, and geese populate the pools, wild ponies and deer roam the marshes and forests, and squirrels flit through the underbrush. The beach, empty and wind-lashed, stretched to the horizon, and the waves reached for the sky, foam blowing off the crests in horizontal streams.

Some would call the beach desolate. Indeed, my baby girl was frantically signing, “All done! All done!” just a few minutes after we got there. The grey sky, clouds roiling farther than sight, the raging water, seething as it ate away the land… I can see how some people would feel isolated and insignificant.

Not me. Standing there, the chains of our hectic lifestyle fell away and my soul stretched. The untamed wind filled my lungs, the sea roared in my ears, the salt coated my lips, and the sand shifted beneath my feet. But instead of feeling small and isolated, I felt small and connected. The vastness didn’t swallow me, it took me into itself and made me more than I normally am.

So Assateague and Chincoteague are my soul-places, where I can sense the thrum of life itself. And although I cannot be there always, I can retreat there in my mind whenever needed. That wild wind will be my Muse, swirling my writer’s soul and calling forth words I hope will soar as high and as far as the wind itself.

What are your soul-places?

Pony Penning

Marguerite Henry’s Misty of Chincoteague did more for the island of Chincoteague than any planned publicity campaign could have. Written in 1947, the book painted such an enthralling picture of life on Chincoteague and neighboring Assateague that millions of people since then have travelled to the islands to experience it for themselves. That Chincoteague’s economy is almost wholly tourism-based is a direct result of this one little children’s book and the dreams it inspired in generations of readers. And the thing that most tourists come to see is the Pony Swim.

Assateague Island is a National Park. Its main attractions are the beach and the wild ponies. Come Pony Penning time (the last Wednesday in July), the ponies rule all. The wild ponies of Assateague roam semi-free (there are fences to keep them off the roads and public beaches) and once a year they are rounded up and swum across the channel to Chincoteague Island. There, a select number of foals are sold, with the proceeds benefiting the Chincoteague Fire Department, which owns the ponies.

So, once a year, thousands of people (they expected 40,000 this year) flock to tiny Chincoteague to see the ponies swim from Assateague to Chincoteague. Since I am living on Chincoteague this year, I couldn’t pass up the opportunity to join the fun!

Six a.m. saw the sun, me, and my mother rise. Slathered with sunscreen and bug spray (Chincoteague mosquitoes have carried off small children and pets), we arrived at Pony Swim Lane, where the ponies make landfall. To get close to the landing site, we slogged through a marsh composed of sucking black mud and biting grasses. A fellow adventurer, apparently not warned against wearing flip flops, lost her shoe entirely. Another, although clad in sneakers, ended up fishing his shoe out of the muck. We gained the other side of the marsh with all shoes accounted for.

Then we waited. The sun got hot (but thankfully not too bad), and the only bugs that bothered us were the grasshoppers – particularly the one that leaped from a stalk onto my chest. He was like something from Alien – a huge black creepy thing that sprang at me and grew larger and larger in my view like a monster in a 3D movie. I returned him post-haste to the grass.

We arrived at 7 a.m. The ponies swam at noon. The crowd grew and grew, and we all shared stories of where we came from – Kansas, Pennsylvania, Norway. People lent helping hands to those who needed it, sharing water, towels and food with those who had arrived unprepared – or those unlucky enough to have taken a tumble in the mud. The comraderie reminded me of the many hours I had spent hanging around stage doors at Monkees concerts – a shared passion that for the moment surmounted any differences we might have.

Noon arrived, the warning flare went up, the crowd cheered, and the ponies were in the water! The crowd surged forward, pressing to see the horses swimming and the famed “saltwater cowboys” wrangling them across the channel, in between two lines of spectator boats. In a little over four minutes, the first pony made landfall. 50-plus mares, foals and stallions sorted themselves out and fell to eating, resting after the swim. The 85th Annual Pony Swim was over.

I am grateful to have experienced this wonderful event and to have seen the wild ponies up close. The reality lived up to the dreams conjured in Misty of Chincoteague (although I did not buy my own pony at the auction the next day). As a writer, I could not help but marvel at the power of story. As long as children keep reading that book, they will want to come see the ponies, and Chincoteague will reap the benefits. The Misty legacy lives on.

Setting As Muse

Everyone knows how important setting is in a book. But how important is setting when writing a book? For some writers, where they write is a huge part of their writing process, and can influence every facet of the book, from the feel to the setting details. While most writers can and do write wherever they happen to find themselves, many have favorite places they retreat to whenever they can.

 

I spend most of my writing time at home – face it, with an 8-month-old, there’s not a lot of choice. I write in dribs and drabs as she allows. But there are places in my life that inspire me to write, that seem to open the creative windows in my mind farther than I thought they could go.

 

One place is St. Michaels, Maryland. There is nothing like sitting on the balcony overlooking the Miles River, letting the quiet seep into me, letting the “real” world vanish. The warm breeze, the water lapping at the shore…peace. And fantastic stars over the water at night—even shooting stars at the right time of year. It’s a great place to hole up and get words on the page.

 

Another place is Chincoteague Island, Virginia. Some of you know that I have been spending about half of every month there for most of this year. Chincoteague is the site of Marguerite Henry’s Misty of Chincoteague; Stormy, Misty’s Foal; and Sea Star: Orphan of Chincoteague, so there is literary history there. The island itself inspires writing. It is quiet and peaceful and slow-moving (except at Pony Penning!). The salt air blows ceaselessly across the land, bringing the scent of wildness and freedom from neighboring Assateague Island. But what I find inspiring is the town.

 

Most of Chincoteague is residential, houses on almost every square inch. Unlike the “developments” up north, though, it is not a cookie-cutter universe, with every house a replica of the one next door. Every house is as individual as the person who owns it. There’s the “just barely” two story house that is twice as long as it is tall. There’s the three story aristocrat towering over the 4-room cottage beside it. There the lavender-shuttered house with every blade of grass manicured confronting the weathered, shingle-challenged shack across the street. Every one different – and every one hinting at its own story.

 

Not only do these houses give me scads of ideas for settings, imagining what plots those walls conceal, but they free up my mind to work on quirky characters. The sameness I see in the north (big box stores, strip malls, cloned houses) stupefies the mind. On Chincoteague, where each house is a character unto itself, it is not hard to picture the characters who would have created a house like that. Peopling stories with colorful characters becomes easier.

 

Just for the record, I have also always found Ocean City, New Jersey, a good place to relax and write. I seem to have a water theme going, don’t I? So now I know where I need to buy my next house to maximize my writing potential – near water! Would buying such a house count as a business expense?

 

How about you? Where do you go to hear the Muse speak?

WP-Backgrounds Lite by InoPlugs Web Design and Juwelier Schönmann 1010 Wien