Reading Your Work Cold

The Philadelphia Writer’s Conference is coming up in June. I’ve already registered to go, and am in the process of gathering the submissions for the critiques and contests. What’s been interesting is my reaction to reading the excerpts I am preparing to send.

Before I get to that, let me dump a little backstory in here.

I have a toddler. She takes up most of my time. For a while I tried to cycle my writing projects, trying to work on all of them at once. But that just made me feel like I wasn’t accomplishing anything, because I never got to the end of anything. So I decided for the sake of my sanity to focus on one project at a time.

The project I have been working on is a middle grade dystopian steampunk mashup. It will come as no surprise that this is one of the works I am sending in to the conference. I have gathered notes from beta readers and crit partners, and reworked the first 2500 words thoroughly. Then I got more feedback from my crit partners and reworked it again. The opening is significantly better than it was, and I can’t wait to get to work on the rest of the book to bring it up to the same level.

The second excerpt I am sending in is a YA novel—I’m not sure if it would be called a fantasy or a paranormal for genre purposes. The girl’s got supernatural abilities (paranormal) but they come via her father, who is a Greek god (fantasy). So take your pick.

I haven’t worked on this story for many months, so I came to it with very fresh eyes. And I was pleasantly surprised—mostly because I had made changes to the story that I had forgotten I had made. The edits I had made definitely improved the story, and I found myself excited by it in a way I hadn’t been last time I worked on it.

We always hear the advice to put a work aside for a time and come back to it fresh. Usually, this advice is intended to allow you to see the errors and mistakes you’ve made. We rarely hear about the flip side of that coin: Coming to it fresh also allows you to see the strengths of what you have written.

My YA wasn’t perfect, by any means—my crit partners still had some suggestions. But it was so much stronger than what I had remembered having, that I found myself thinking, “This is good—almost like a professional wrote it.”

When I find myself thinking that, I know I’m on the right track.

So if you have the luxury of time, put your work aside before doing a final edit. And when you do come back to it fresh, don’t just focus on what’s wrong. Allow yourself to see and revel in what you’ve done well.

Enjoying those gems in your writing will energize you to bring your A-game to the final edit, and that passion will make your words shine.

Juggling

Life is all about juggling, right? We’re always prioritizing something because our to-do lists never seem to get any shorter. We also have to juggle because so many things on our to-do lists require input from other people—and other people are not always as on top of things as we’d like them to be.

So I, like all of you, am juggling. I’ve got my 18-month-old daughter’s needs. I’m buying a house, so I’m neck-deep in the needed inspections and paperwork. I do have a husband, too, although sometimes he’s hard to see through the piles of diapers and mortgage paperwork. There are, of course, the hundreds of things that crop up that can’t be scheduled—like the air conditioning going on the fritz. And amid all that, there is my writing.

My writing time is precious (about 2 hours a day). In that time I not only have to write, but I have to keep up with the social networking that is so crucial for every author today. I read blogs (and write them!), as well as check in with Facebook and Twitter. So even within my slice-of-heaven writing time, I must prioritize.

As far as the actual writing goes, I am juggling two projects. They are both novels in the later draft stages. One is a middle grade that is undergoing a seismic shift into a different genre. The other is a YA fantasy that is in the middle of a post-beta-reader revision. Two very different projects that have the same deadline—December.

As an unpublished writer, I have the luxury of being able to work on what I want when I want. But as a serious writer, I know that giving myself deadlines and sticking to them is necessary to get ahead in my career. I wondered how best to break up my week between the two books—in chunks such as 3 days in a row each or alternating days.

I chose to alternate days. I think springing back and forth between the two plots and the two genres will help keep my mind nimble and my enthusiasm fresh. And it allows me to always have a feeling of forward progress on both projects. So far, it is working for me.

I’d love to hear from you. How do you juggle multiple projects?

Prologues: Thumbs Up or Down?

I just began another workshop with authors Jonathan Maberry and Marie Lamba. This one is called Write Your YA Novel in Nine Months. Its focus is to get at least a first draft completed in nine months, as well as gathering and polishing marketing material we will need to sell the book once it is complete. We will also discuss craft as it specifically pertains to YA and Middle Grade.

Our group is a lively one, and we got into an online discussion about Prologues. While I had been under the impression that agents and publishers did not look favorably on them, others pointed to a plethora of prologues in current books.

We also discussed whether or not readers actually read prologues. I always do. Another person in the group admitted to never reading them. I have found this split among my friends, too. It seems to be a stark black-and-white policy—no one “sometimes” reads prologue. It’s all or nothing.

So today I open the floor to those of you who have been around the publishing block a few times, as well as the readers among us:

Thumbs up or down on prologues? Why?

WriteOnCon 2010

When you’re a writer traveling back and forth between two states every two weeks and constantly having an infant in tow, getting to a writer’s conference is next to impossible. Thanks to WriteOnCon, I got my chance to attend a conference this year.

WriteOnCon was a free online conference focusing on “kidlit” – picture books, middle grade and YA. It took place August 10-12, running from 6 am until after 10 pm. Jam-packed days with classes and chats with agents, publishers, and authors. I did not get to participate in the live chats, as they conflicted with my daughter’s schedule, but since this was an online conference, it didn’t matter. All the chats, as well as all the classes, are posted on the website, like a blog, so we attendees could access them at our convenience. This is quite the boon for time-pressed individuals like me!

Perhaps the best part was the critique forums. You could post query letters, first 250 words, first five pages of completed manuscripts and/or first five pages of current WIP. You could post as many things as you wanted reviewed, with the stipulation that for every post you made, you critiqued five others. We were also instructed to look for posts that had the lowest number of critiques, so that everyone who posted would get a decent number of responses.

I liked this feature because at in-person conferences, you are often limited to how many things you can get critiqued. Also, it was great to get feedback from other “kidlit” writers. Some lucky people also got feedback from the industry professionals, who were browsing the forums as well. I was not lucky enough to get an industry pro to weigh in on my posts, but I did get a lot of insightful feedback that will help me refine my projects. This feedback alone was worth the time I spent critiquing other people.

I think that for people who cannot afford either the time or the money to get to an in-person conference, an online conference like WriteOnCon is a good substitute. However, I think in order to get the best networking experience, a face-to-face conference is essential. And an online conference simply cannot generate the kind of visceral buzz you get from being in the same physical space as other writers sharing their passion and creativity. But I found it a worthwhile endeavor and many of the other attendees felt the same.

One of my goals for next year is to attend at least one “real” conference, since I will not be traveling between states and my infant will be a toddler.

What are your thoughts on writers’ conferences, virtual or otherwise?

Writing in the Present Tense

I just finished reading The Great God Pan by Donna Jo Napoli. It’s YA, based on the two Greek myths of Pan and Iphigenia. Napoli fills in a few of the gaps in the mythology with this engaging, inventive and lively book.

 

Pan tells it in first person, with a voice that grabs the reader immediately. The voice is so inviting that at first I didn’t even notice that the book is written in the present tense. Since I didn’t notice, Napoli obviously used this device skillfully, but it got me thinking about using present tense in novels. The next 3 YA books I read (Meg Cabot’s The Princess Diaries; Laurie Halse Anderson’s Speak; and Suzanne CollinsThe Hunger Games) are all also written in present tense.

 

Present tense used to be taboo, but now it seems to be a trend. When is it most effective? Are there times when it absolutely should not be used?

 

Present tense gives immediacy to the action and the emotion. The reader lives the moment simultaneously with the protagonist. Hindsight and explanation don’t flavor the action. It is, in a way, a cleaner way to experience a story. And yet, so many readers and authors dislike its use. My husband says he hates present tense so much that he cannot read a book written in it—he never makes it past the first page or two. I asked him why he disliked it so much, and he said that perhaps it is because he looks at a book as a history, the events in it as something that already happened—it had to have already happened to be written down, and that chronological disconnect in logic bothers him.

 

Personally, it doesn’t bother me, as long as the story has grabbed me. Then, as now, I sometimes don’t even notice until I am well into the book, and too invested to stop reading. I also find that first person narratives lend themselves to present tense. My current WIP, The Oracle of Delphi, Kansas, is my first attempt at a first person narrative. When I began writing, I found myself slipping into the present tense quite frequently, even though I am writing it in past tense.

 

What are your thoughts on using present tense in novel?

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