This was one of those weeks where my other responsibilities fell on me hard, and I got very little done on any writing front. Although I hate weeks like that, they happen and I have to learn to roll with it.
People who are not writers think that if we are not getting words on the page, we are not writing. And while that may technically be true, that doesn’t mean we are not making some sort of writing progress.
As anyone who has followed this blog knows, I have been struggling with rewrites of my science fiction YA novel, Veritas. I’ve been chipping away at it, and feeling fairly happy with the new direction, but I have put it aside for now while I work on the non-fiction genealogy book. I am not in the right headspace to dive into fiction at the moment, so it is a good detour for me to take.
But that doesn’t mean I’m not thinking about it. I sometimes get ideas that I hurry to jot down in the notes for when I return. And I recently have been enjoying K.M. Weiland’s blog series on archetypes, which is making me think differently about not just Veritas, but the structure of possible follow-on books in a series.
So, my subconscious has been chewing on Veritas while I’ve been away. And I am also re-thinking the first chapter of another project, this one middle grade, The Curse of the Pharaoh’s Stone. I really love this book, but it has not found a traditional home. My co-author and I are contemplating self-publishing it, but I feel that the first chapter is our issue. We get conflicting feedback about it—some feel it is confusing, others are just fine with it. I think if we can get that right, we might yet find it a traditional home.
I also have another project that is not even on a back burner, more like on the warming pan. It is the sequel to my published book, The Witch of Zal. The first draft is written, but it needs a good deal of editing. And I am in the process of getting a new cover and illustrations for Book 1, before I move on with publishing Book 2.
As you can see, I have been doing a lot of non-writing writing. Sometimes you can move forward even when you aren’t putting words on the page.
How are you advancing your writing these days?
Memories That Aren’t Mine—CoronoaLife Day 474
I have been working this week on putting together photos for a family gathering we are having. As I go through these old photo albums, every picture is like an old friend. I remember the people in them, and the stories behind them…except that I don’t.
Some of these photos are from when my great-grandparents were young. They are my grandparents growing up. They are my father and his siblings as children. They are from when I was too young to have memories of those events.
Yet I remember them.
Not actually remember, of course. But I have been told many of the stories of these photos, and as the family historian I know who most of the people are and where and when they were taken.
The photos below, for instance, is of my grandfather giving me a stuffed rabbit at Easter. I don’t remember it. But I have been told about it enough to feel like I do.
My family lived in Germany at the time, and my grandparents flew over to visit. It was only the 2nd time they had seen me. Looking at the photos, I obviously was thrilled with the bunny, and my grandfather delighted in giving it to me.
My grandfather died when I was 3 years old. I have no actual memories of him. But I still have the rabbit, his well-loved ears floppy and his bright burnt-sienna coat faded closer to tan. And I have the picture, and those together connect me to a grandfather I never knew.
Every picture is a connection across time and space. I never saw my young grandmother in the play pictured in the album, but I was in the theater for many years and know how it felt. I never knew the house where my father and his siblings played with their cousins, but I remember playing with my cousins at family houses. I wasn’t at my grandmother’s graduation, but I have graduated. I was not there for these exact events, but the emotions are familiar, resonating down the years, weaving me into the tapestry of my family history.
As the family historian and a storyteller myself, every picture is a window into an entire world. I don’t know who will carry that world when I am gone. So far no one has stepped forward to pass the stories on to. Perhaps those stories will be consigned, as most of our memories are, to the dustbin of history.
But until then, their stories live, and the people in them live. The Egyptians believed that you never truly died until the last time someone mentioned your name. Maybe that’s what drives some people to want fame—a quest for a type of immortality.
I am not so arrogant to think that my family’s names will live forever. But for now, I am the keeper of the flame, and I am honored to hold their lives—and their memories—in my heart.