Last weekend I met my friend and fellow writer Nancy Keim Comley for a “writer’s play date.” We both needed a break from “summer mommy brain” and a chance to get reacquainted with our writing. We had fun, and it felt good to immerse myself in my fiction for a few hours.
A mere six years ago, it wouldn’t have been unusual to find me working on multiple novels at one time—and having the time to immerse myself in all of them. After my daughter came, however, I have been much more single-minded. I’ve worked on one story at a time because if I didn’t nothing would ever get finished.
So when I started up the novel merry-go-round again this week, I found my skills a bit rusty. My current full-throttle work-in-progress is a YA science fiction called Veritas—and talking to Nancy showed me just how much work I have yet to do on it. (Daunting. So I will pretend I don’t know how high the mountain is and just keep climbing.)
However, I also have my debut novel, The Witch of Zal, coming out soon. While I am not actively writing for that, the marketing requires me to delve back into my story world—or at least remember what the heck I wrote. So that story is floating around in my head, popping up at odd moments to say hello.
Also, I’ve been collaborating on a middle grade historical action-adventure novel, The Curse of the Pharaoh’s Stone, and the latest 10 chapters have just landed back in my lap. I’m reading them as if I’ve never seen them before—good for editing, bad for getting back into that novel’s headspace.
To make things even more interesting, I’ve got a YA contemporary fantasy, The Oracle of Delphi, Kansas, that needs to be looked at again before I send it back out for another round of queries. So that’s on a back burner of my brain, too.
Earlier in my life, juggling all these would not have been a problem. In fact, I relished having multiple projects going at once because it eliminated writer’s block and boredom. Whenever I got stuck or burned out on a particular story, I could jump to another one and give my subconscious a chance to chew on the problem. It always worked for me.
This time around, I’m finding it hard to switch from project to project. Part of it is lack of practice, of course—writing skills are like any other skills, you have to use them to keep them sharp. My brain is also not as sharp as it was, largely due to perpetual under-sleeping. And I’m six years older—maybe my brain is more reluctant to leave the groove it’s in and move to something different.
I think the biggest problem is my fragmented time. I have spoken before about how my fragmented writing time has negatively impacted my writing, and I think it plays a large role here. I don’t have concentrated hours of time a day to write. This has made it harder for me to slip into the world of my story. Now mix in more than one fictional world. Synaptic chaos.
The only way I have found to combat the fragmentation is to always have my current work-in-progress running in the back of my mind. Simmering, as I like to call it. You can think of it as having the movie of my story playing in the background on my mental TV all the time. So when I have time to get back to it, I waste less time getting my mind back into the story.
There’s no way I can keep 5 stories simmering at usable levels. My brain would explode. I may have to assign specific days to specific stories, so I can have my brain set to the correct channel all day. That’s my plan, at any rate. We’ll see what happens!
If you have merry-go-round projects, how do you keep your headspace straight? Have you ever had trouble jumping from one world to the next?
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