Amazon Kindle and CreatSpace

A while ago, I put my first short story, To Light and Guard, up on Smashwords. I did it mostly as a learning experience, and haven’t done much to promote it. I wanted to learn how to format a story to upload, and how all the technology worked. That’s much more easily done with a 3,000 word short than an 80,000 word novel!

To round out my education in the technology realm, I just last week got To Light and Guard for sale on Amazon. The process was much the same as Smashwords, just slightly different formatting rules. So now my story is available on both major self-publishing platforms, and available for all ebook formats, including PDF. (A Kindle-friendly file is also available through Smashwords, but the only way to get it listed on Amazon is to either sell more than $2,000 worth of the book or post it directly, as I did.)

The process on both was relatively painless, as long as you are able to read directions and pay attention to details.

I am now embarking on my first print-on-demand project—a genealogy book through Amazon’s CreateSpace. I am still in the process of learning how to format the book properly, and I am sure much tinkering will be required until I get it looking the way I want.

I probably chose a difficult book to start with, because mine includes photos and other non-text illustrations. This interrupts page numbering and makes things a little more complex. But it’s coming together.

I was slightly disappointed in the limits of size and lack of choice in paper type on CreateSpace—I was hoping for a slightly larger than 8.5 x 11 book, but in the end that size might be a blessing in disguise since all my pages are already 8.5 x 11. As long as I get the margins right, that might actually make it easier. I had also hoped that I could specify that the photo pages be on heavier, glossy paper, and the rest on regular stock, but I so far do not see that as an option.

The book is nearly done the preparation stage, and then I will upload it to CreateSpace and finish the process. I am eager to see it all put together and get an author copy to hold in my hands. This book represents years of research, and I hope to get it into the hands of other researchers who can use my work as a stepping stone for theirs. I know how excited I always was to find that someone else had done meticulous research on my line, and that I did not have to re-invent the wheel. I want to give that same thrill to other researchers!

I’ll let you know how the CreateSpace experiment works out. One thing is for certain—I am learning a lot!

Have you ventured into self-publishing? What has your experience been?

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XML and the nature of books in the future

I’m hearing a lot about XML technology, and how it will revolutionize what a “book” is. They talk about the massive amounts of flexibility that it will give to the content of the book. It will provide links from the text to other places on the web, it will allow changes in format of the book, it will allow instant language translation, and so much more. I’m no expert on XML, but apparently it is THE NEXT BIG THING.
 

 

What this means is that publishing is going beyond the printed book—which we all knew. What some of us never considered was having NO printed book, a phenomenon explained well on PersonaNonData.

 

 

So, the real question publishers, agents, and authors need to grapple with is: How does all of this flexibility hit our rights? If you have a technology that can translate it into any language, what does that do to foreign rights? If you can change the format to large print or comic book from the standard print, where does that leave those rights? We are already seeing a dust-up over the Kindle’s voice feature infringing on audio book rights.

 

We are living and writing in an age of convergence—the lines between various media are blurring. Heck, they’re disappearing. The book—the ebook—is becoming a multi-media animal. Reading a book about 1922 Philadelphia, and want to see photos from that era. Just click. Want to hear the music playing in the speakeasy? Just click. Want to read a newspaper article from 1922 mentioned in the book? Just click. It can make for a vastly richer experience for the reader, if they choose to explore.

 

Which brings us to another question. As books become more flexible, how will that change the way authors write? Or will it?

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