Philadelphia Writers' Conference Archives

Filling the Writing Tank

June 6, 2019 By Kerry Gans Leave a Comment

Sometimes a writer’s life ends up with very little writing in it. This past week has been one of those weeks for me.

Saturday my family attended the first annual Color Fun Run. Lots of colored powder, lots of laughs, and no rain! Then I stayed for another couple of hours to help clean up. 10,400 steps by 11:30 AM. Whew!

Sunday I dragged my stiff-muscled self out if bed and the family headed to a local farm for their Strawberry Festival. More sun, a hayride, animals, and, of course, strawberries.

Most of Monday was eaten up catching up on PTA Treasurer work, which leaked into Tuesday. Tuesday also found me frantically reading and assembling my weekly post Top Picks Thursday, which isn’t due until Wednesday night, but…

On Wednesday my daughter’s class trekked to the Academy of Natural Sciences for their field trip. The kids had fun, no one got injured or lost, and only one instance of tears. I rule the day a success!

And so here we are, Thursday, and I have no deep and meaningful insights into writing to share, as I have been doing everything but writing this week. Still, they say you can’t write if you don’t live, so I suppose this week was about filling the writing tank.

On Friday I head out to the Philadelphia Writers Conference, so I will get the tank further filled by hanging out with fellow authors. Look for nightly updates on the Conference over on the Author Chronicles blog.

How do you fill your writing tank? However you do it, go and fill it up—and then get writing!

The Dread Synopsis

November 10, 2016 By Kerry Gans 3 Comments

I am in the process of gathering materials together to query my middle grade historical adventure The Curse of the Pharaoh’s Stone. I have a decent query, the manuscript is properly formatted, and I am working on the final piece—the dread synopsis.

The synopsis is notoriously difficult for most writers (there are some odd ducks that actually enjoy it!), and we procrastinate over it as long as possible. It is no wonder we find it hard. It’s a monumental task to take a 56,000 word novel and explain it in about 1,000 words—especially while attempting to infuse it with voice and emotion.

I took some advice from a few blogs on how to get started on the query. First, I wrote one sentence summarizing each chapter, then I turned that list into better-written paragraphs. Next, I polished it, choosing more powerful verbs, adding more emotional language. To my immense relief, the synopsis came in just at 3 double-spaced pages—my target length!

To double-check that I had not missed anything important, I used a technique taught by Kathryn Craft at a recent Philadelphia Writers Conference. By using her advice, I found that I had missed a structural element—the dark moment—and added it in. I also made sure I had enough emotional language and words that showed why this story is relevant to today’s audience.

So now I have a synopsis I am happy with. Yay! Next, however, I have to condense that to one single-spaced synopsis, and then even further to a paragraph. Can I do it? Can I synopsize my synopsis?

We will find out.

Do you have any tips for working on the dread synopsis (of any length)?

The Best of The Goose’s Quill 2015

January 7, 2016 By Kerry Gans Leave a Comment

At the beginning of a new year, we typically look forward to the year ahead. Sometimes, though, it is helpful to look back in order to see how far you have come, and evaluate how you did in the past year. I examined my top 20 posts this past year and found that readers read a good mixture of craft and marketing, as well as some of my more personal writing-life posts. In case you missed any, here are the Best of The Goose’s Quill 2015. Enjoy!

When The Hero Is Not The Protagonist

What Big Question Do You Write To Answer?

How To Measure Growth As A Writer

Our Characters’ Other Lives

Adventures In The Land of Zal

Marketing: Doing The Things You Don’t Want To Do

Book Trailer Beginnings

The Truth About Your Productivity

Anticipation Angst and Announcement

The New To-Do List

Introverts, Extroverts, and Social Pain

The Insidious Persistence of Grief

My Biggest Takeaway: 2015 Philadelphia Writers’ Conference

Philadelphia Writers’ Conference: My Annual Oil Change

Writing Longhand: A Generational Divide

Working Vacation: Yes or No?

Empathy: Curse or Blessing?

Revising My Writing Process

Marketing Bits and Pieces

And my #1 post of 2015:

THE WITCH OF ZAL Cover Reveal and Surprise!

Thank you for reading in 2015—I hope you continue to join me in 2016!

What Big Question Do You Write to Answer?

July 9, 2015 By Kerry Gans 4 Comments

It’s no secret that writers tend to spill words on a page when they’re trying to deal with an issue they’re struggling with, or emotions that are overwhelming. When my best friend Donna Hanson Woolman died at age 32, that experience became my Masters’ thesis short story.

Followers of my blog have seen me write through other periods of grief, whether it be the lesser loss of a celebrity who had touched my life like Davy Jones, or the greater loss of family. On here you can find my goodbyes to my Aunt Clare and Uncle Ed (on the same day), my Uncle Bill, my Aunt Marge, my cousin Charley, my friend’s 5-year-old son Gavin, and even our family dog Cody. Obviously, I write to get my thoughts in order. I write to get the pain out of my heart and onto the page. Because, just like in writing fiction, once it’s on the page I can deal with it. That first draft of raw emotion spills out, and then I can find some perspective. Find the words, the voice, to express myself and my grief properly.

So when I took Catherine Stine’s workshop at the Philadelphia Writers’ Conference this year, something she said resonated with me. She said all of her books started with a “big question” that she was struggling with. As an example, she said she was a Quaker, and therefore anti-violence, but she wondered if sometimes violence (particularly war) was the only answer. And how could those two things be reconciled? She wrote a book to explore all the options.

She also made a point to say that we as the writer should be careful not to answer the big question for the reader—that we should lay out all the evidence and arguments on both sides and let the reader come to their own conclusion. She didn’t tell us the answer she found to her big question.

I got to wondering if I am asking “big questions”—if that’s why I write whatever story I am writing. If I am, it’s subconsciously. I certainly don’t look for questions to answer. But I would wager that if I look at my stories, there is a big question buried in there somewhere. It’s worth a look, because if I can figure out the big question, it will clarify my explanations of the books and be useful in marketing. If the books are not sold yet, it will also be useful in revision—helping to focus on the heart of the book.

What about you? Do you consciously write to explore a “big question”? Or do you find that after you’ve written, you explored a question you didn’t know you had? Or does a big question never enter into the equation for you and you write for completely different reasons?

Philadelphia Writers’ Conference: My Annual Oil Change

June 11, 2015 By Kerry Gans 2 Comments

I’m sitting in the waiting room of my mechanic’s today while waiting for my oil change, and it occurs to me that the Philadelphia Writers’ Conference (PWC) is my annual oil change (and yes, I change my car oil more than once a year).

The PWC experience, for me, is like a whirlwind, fast and furious. During this whirlwind, all the stuff gunking up my creative system gets shaken up and flushed out. New advice helps me see past old assumptions. New craft lessons steer me farther up the artistic mountain. A casual conversation sparks an idea that carries me past someplace where I am stuck, either in business or craft—or sometimes even in a personal revelation about myself.

I eagerly look forward to the PWC every year. This will be my 5th year at this conference and it feels like home. I have a history of good things happening to me here, and always leave with some big takeaway.

As much as I love the PWC, I always get wound up in the days leading up to it. Objectively, I have no reason for anxiety, but we all know objectivity is overrated. My anxiety disorder always rears its ugly head and stress is the name of the game for days before the conference. (Apparently, I need to take my own advice—see tip #3.)

This year I tried to figure out why I get so triggered by the conference. I’m not staying in the hotel, so it’s not an away-from-home thing. I’m not planning on pitching (although I probably will because if I do it at the last minute I won’t get wound up about it—ahh, the lies we tell ourselves). I’m eager to take the courses. So what is it?

It’s just me. All my weaknesses hit at the same time. Being essentially away from home for 3 days makes me feel like I’m losing work time. I usually do a lot of work on the weekends, and the conference means I will start Monday behind the 8 ball. Being in the city freaks me out because I am totally not meant for urban dwelling—too loud, too many people. The conference itself is exhausting, with all the mixing and mingling. I get exhilarated from the people and the creativity at the conference, but as a classic introvert the effort drains me. And it’s just being out of my routine. A person with anxiety likes control—or the illusion of control. So I tend to be highly routinized. The conference is anything but routine. New place, new people, new ideas. So much of it out of my control.

ANYTHING can happen.

That’s the scary part.

That’s the wonderful part.

And that’s why I keep going back.

***See you at the PWC! I’ll be blogging nightly recaps over on The Author Chronicles.

Working Vacation

April 24, 2014 By Kerry Gans 1 Comment

I know that most people return from vacation to a crushing workload of backed up emails, housework, or other work they do. I, on the other hand, have returned from my recent week-long sojourn farther ahead than when I left.

I work from home, with a preschool-age child. So I find that tasks that require prolonged concentration are difficult for me to find time to do. I have the time after she is in bed, but by then my brain is tired and I am prone to stupid mistakes (although this is a good time for creative writing for me). But most business-related tasks require attention to fine detail and often a half an hour or more of blocked time to accomplish competently. For example, I submitted the same short story to 5 magazines recently—and I had to format the story in 3 different ways to follow their guidelines. This is not a complaint—I understand why this is so. This is just to show why I need time to really pay attention to these sorts of details.

As a result, I have had a list of business-related items that I kept saying, “If only I could have a week without distraction, I could get all this done!”

This vacation was that week.

With Preschooler being entertained by Grandma, aunts, cousins, and Daddy, I was able to grab some focused work time. In this week away, I accomplished:

Submitting 3 Critique manuscripts to the Philadelphia Writers Conference
Submitting 3 Contest manuscripts to the Philadelphia Writers Conference
Spending several hours on Duotrope making lists of markets for my various short stories
Sent 5 queries out for my short story Dying Breath
Sent 5 queries out for my novel The Oracle of Delphi, Kansas
Edited 1/3 of my short story Finale
Read 2 Newbery-Award-winning novels
Critiqued a friend’s short narrative non-fiction piece
Wrote a blog post for my personal blog, The Goose’s Quill
Wrote the Thursday blog post for our group blog, The Author Chronicles
Kept up with social media platforms
Slept

I also managed to have fun visiting with relatives and enjoying the beauty of the countryside!

Many people might not consider this much of a vacation, but for me it was ideal. I get so worn out with trying to keep up with everything, and so frustrated pushing things off to the back burner because of time constraints. Getting so much of this done was a great weight off my shoulders, which allowed me to relax.

Do you find yourself working on vacation, or do you really get away from it all?

My Biggest Takeaway: 2012 Philadelphia Writers’ Conference

June 14, 2012 By Kerry Gans 1 Comment

Every year I talk about my biggest takeaway from the Philadelphia Writers’ Conference. (I say “every year” as if I have been there more than twice.)

Last year I experienced an epiphany in pitching. This year the pitching had the desired outcome, but was not my biggest takeaway.

Instead, I learned that what I’d thought was my greatest strength as a writer may in fact be my greatest weakness.

A strange confluence occurred at the PWC. I took three 3-day courses: Novel—Character with Jonathan Maberry; Middle Grade/YA with Marie Lamba; and Horror, Science Fiction, Fantasty and Paranormal with Caridad Pineiro. The topics seemed disparate: Character, genre-specific tips, and world-building.

Instead, they ended up talking about the same issue: character.

Obviously, Novel—Character was about character. But Marie Lamba taught us that voice and strong character are the hallmarks of successful MG/YA books. And Caridad Pineiro told us that she figures out her character arcs first, and then builds the world around them, to test the characters to their utmost.

Character is something I always felt confident in writing. I knew my characters. I could write a believable character. A three dimensional character. I prefer character-driven books to plot-driven books, I’ve devoured scores of them—how could I not be a natural at writing character?

Very easily, apparently.

Now, my problems with character did not strike me like lightning at the conference. For months, if not longer, I have felt that somehow, my characters were not what they should be. They were not as alive as they could be. That while they were real for me, they were not for my readers.

I had critiques from different people all saying the same basic thing: “The story is great, but I just didn’t connect to the characters as much as I’d like.”

The conference simply cemented these niggling doubts for me. The character strength I thought I had is actually the weakest part of my writing. I need to figure out why, and how to fix it, because that is what is holding me back from having that story that is truly ready to go out to the public. This lack of connection is the hazy “something” I have sensed lacking in my stories for a long time.

Why hadn’t I noticed this before? Probably because there were so many other areas of writing that I needed to improve. There was a time when my instinctual characters WERE the strongest part of my writing. But that’s not the case anymore. The rest of my writing craft has risen, and the character development has not kept pace—likely because I hadn’t thought it needed work.

Now I know better. I’m not quite sure what the problem is, so I’m not quite sure how to fix it, but I know where to look to get started.

Vibrant, believable, complex characters—that’s what I’m looking to gain from this year’s takeaway.

My Biggest Takeaway: 2011 Philadelphia Writers’ Conference

June 9, 2011 By Kerry Gans 11 Comments

“Takeaway” is a word often used in the business world, meaning the lesson, advice, or information you got from a seminar, meeting, or conference. “What’s the takeaway?” is a common question. Oddly, I could not find that definition online on any of the big dictionary sites. They all told me it meant the same as “takeout” – as in, “Do you want fries with that?”

You have probably seen the posts I did on the Philadelphia Writers’ Conference, both here and on The Author Chronicles blog. So you know there was a TON of awesome information in those workshops.

But none of that was my biggest takeaway.

My biggest takeaway came from my pitch with Sarah Yake of Frances Collin Agency.

You may know, from previous posts, that I struggle with anxiety. That I would have rather suffered another C-section than pitch face-to-face. You may also know that the Act Like A Writer Workshop in March 2011 caused an epiphany which let me approach my nemesis with an entirely different mindset.

That didn’t stop the terror when faced with a real agent, however.

I sat at Sarah Yake’s table and waited. She wasn’t there. In fact, none of the agents were in place yet. Every one of the agent tables held only a nervous writer staring into empty air, a rather bizarre tableaux repeated five times.

I wondered if I would remember to breathe while speaking. If I would remember to make eye contact. If I would remember my pitch. If I would remember my name. After a few minutes which felt like an epoch, all the agents hurried toward their tables.

Sarah was personable, enthusiastic, and interested. She was also slightly flustered because a faulty clock had made all the agents a touch late, and this show of humanity went a long way to calming my nerves. Sarah also appeared to be younger than I am, which I think kicked in some of my mommy instincts – I wanted to make her feel at ease, since she was obviously embarrassed about being a little late!

Once we began talking, the most unbelievable thing happened. All my anxiety drained away. My hands stopped shaking. My stomach stopped twitching. Not only did I remember to breathe, but I breathed easily. I sailed through my pitch confidently. Even when I missed some information, I deftly inserted it later in our conversation.

If I had not had such a nice person as the first agent I ever pitched to, I suppose my experience might have become a nightmare. As it was, it became the most profound takeaway I could have imagined.

I can pitch.

I can pitch well.

The confidence I draw from this lesson will carry far beyond my writing career.

Thanks Jonathan Maberry & Keith Strunk (Act Like A Writer teachers), Don Lafferty (I didn’t forget your pep talk just before Sarah came down), PWC, and Sarah Yake (such a sweet person!) for giving me a takeaway that will change my life in ways I can’t even imagine yet.

Confessions of a Conference Virgin: Day 3 of the Philadelphia Writers’ Conference

June 5, 2011 By Kerry Gans 2 Comments

Today was the final day of the Philadelphia Writers’ Conference. I started it off by getting lost on the way in, but I still made it on time.

I also found that a friend and colleague of mine, James S. Kempner, had taken 3 different prizes in the PWC contests—one a first prize! Congrats to Jim!

This morning kicked off with a 1-day workshop by author and editor Kathryn Craft, who enlightened us with 13 Tips and Tricks for better writing. I wanted to whip out my manuscript right there and start applying them—they are a sure way to improve your writing.

Then on to the final day of author Kelly Simmon’s Novel: Plot workshop. Her 7 Cs checklist gives a comprehensive yet manageable way to approach plot, particularly if you are not a natural outliner. I’m a partial outliner myself, and can easily see that incorporating her ideas will help me improve my novel before I ever write a word of it.

After lunch, author Gregory Frost wrapped up his advice on Novel: Character. After a review of simplex, complex, and multiplex characters, we created a character from scratch. While we rendered a rather hilarious persona and the ghost that haunts him, the exercise showed us the basic steps to creating a multi-dimensional character with enough room to grow throughout your novel.

In the YA workshop with author Catherine Stine, she spoke about how to find agents and editors, and shared some of her experiences with agents. We also practiced our 3-sentence elevator pitches and discussed the competing yet very similar merits of writing programs Scrivener (about $50) versus yWriter (free).

My mind was far too fried to stay for the closing panel, but I’m certain it will be as informative as the rest of the conference. I’m thinking I should book my reservations for next year!

Confessions of a Conference Virgin: Day 2 of the Philadelphia Writers’ Conference

June 5, 2011 By Kerry Gans 1 Comment

For me, today started with the mind-boggling 1-day workshop Writing for New Media/Webisodes. Filmmaker and educator Ian Markiewicz gave us an overview of webisodes and their transmedia interactive offshoots such as ARGs – Alternate Reality Games.

In today’s Novel: Plot, author Kelly Simmons focused on Coordination – making sure your Action, Voice, Setting, Language, and Premise all match to create a convincing, coherent world for your reader.

In Novel: Character, author Gregory Frost spoke about adding complexity to characters, which adds depth to the characters and can revitalize a tired, clichéd plot trope.

In today’s YA workshop, author Catherine Stine talked about common plot structures for children’s literature, how to add tension, and common plot flaws.

I wrapped up the day with Jerry Waxler’s 1-day workshop I Don’t Brake for Writer’s Block, where he explored some of the common mental obstacles writers encounter and gave us some strategies for overcoming them.

I skipped the banquet tonight, but I was already overloaded with new information, new creative ideas, and new enthusiasm to do it all again tomorrow! Day 3 awaits!

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