Juxtaposition: Create unease and highlight themes

Sometimes, life gives us contradiction and juxtaposition: when two things that shouldn’t go together are placed next to each other, heightening the contrast. For example, I distinctly remember that 9/11 happened on an absolutely gorgeous fall day. Bright sun, blue skies—the type of day that makes you want to stay home from work. And yet at the same time, the world seemed dark and clouded with smoke and debris. That such evil could happen on a day of such beauty struck me then and strikes me now.

On a different note, in my area the first day of spring brought 6 inches of snow and a snow day for my child. Very atypical, therefore bringing a sense of disorientation and unease to many of us in the area. Sure, we all laughed about it and dealt with it, but many were screaming “No more!” and meaning it. We couldn’t take one more snowflake—and still had a couple more snowfalls to weather beyond that date.

I experienced another jarring juxtaposition this past Easter Sunday. On the day Christians celebrate Christ rising from the dead, I attended a funeral. And, yes, Christians believe God raises the dead to everlasting life in Heaven, but the fact remained that the family grieved for the loss of their loved one here on Earth. One could look at the resurrection of family ties between people who had not seen each other in decades as thematically appropriate, but a funeral on Easter is discordant nonetheless.

We can use this use of contradiction and juxtaposition to great effect in writing. The Harry Potter character Dolores Umbrage comes to mind. A sweet exterior hid the evil inside making her far more appalling than if she had been overtly evil. Contradictions and juxtapositions can foster a subtle sense of unease or highlight something you want your reader to understand.

So when you are trying to raise a certain emotion in your reader, see if you can use opposites to enhance the feeling. Instead of a storm while your character’s inner turmoil is reaching its peak, how about a calm sunny day?

The Middle-Aged Muse

My 8-year-old daughter simply erupts with creativity. Every day she is dashing off new songs, drawing another segment of one of her comic strips, or writing a story. Her Muse works overtime.

My Muse, lately, doesn’t like to get out of bed. It’s hard for me to remember a time when the ideas came in such a flood. Nowadays it feels like everything comes in fits and starts. Creativity used to flow effortlessly, more ideas than I could ever write. I had multiple stories going at a time, and I churned out words like breaths. Now I’m lucky if I can write a coherent chapter in a day.

That’s what happens as you get older. Life gets busier, with more time-consuming responsibilities. I have less time to write, and less energy when I have time. Since I had my daughter, exhaustion has become a constant companion, and words jumble into gibberish in my fuzzy brain.

It’s not so much that my Muse has deserted me—it’s that she’s never sure when I’m coming to work, so she’s not always ready when I arrive. It’s like trying to guess what time to have dinner when everyone’s schedule keeps changing. And then when I do show up and we finally get rolling, my alarm goes off and I have to run, leaving her behind just when things are getting exciting. No wonder my Muse is pouty and petulant. She’s also cranky from sleep deprivation. It’s hard being a middle-aged Muse.

But when I get a few quiet hours, perhaps while driving to a book event, I start hearing her whisper. Ideas bubble up from the spring that’s been all but paved over with mom-duty tasks. And after a conference or a writer’s group meeting, my Muse burns through my soul like she used to and my fingers itch to grab a pen or find a keyboard.

My old Muse is still there, waiting for me. I just need to arrange my life so I can meet her. We’re both a little slower, a little creakier, with a little extra we-love-chocolate weight, but we’re still ready to tackle the next project together.

I watch my daughter’s bright flame, and it fans the spark in me. Life tries hard to extinguish the creative spark in us, and I am grateful for this little real-life Muse that fills my days with drawings and music. She connects me and my Muse with our younger selves, and reminds us of the passion with which we used to grasp each day.

After the Spring Break, I intend to make a standing date with my Muse.

How about you? Have you found your creativity changing as you get older?

Genealogy, Character, and Worldbuilding

It’s no secret that I love genealogy. I often say if I wasn’t a writer, I would have been a professional genealogist. The excitement of the chase and the thrill of finally finding that piece of evidence that proves a relationship would enthrall any mystery lover.

And it’s not just my family I enjoy researching. I will jump in and help anyone trying to solve a brick wall. Most genealogy buffs seem to share this insatiable urge to research, as evidenced by how willing people are to help others in many online groups.

Tonight I get to share some of the passion I have for genealogy with the South Jersey Writers Group. I’ll be talking about how my family history habit has crept into my writing, in the areas of character development and worldbuilding.

I’m a bit nervous about presenting,  but I am eager to share with this group. I’ve met some of these writers in other venues, and they are always warm and fun. I’m looking forward to a good discussion with them.

Do you have a hobby that invades your writing?

Raritan Valley Community College author panel–and the anthology arrives!

Last night I spent a fun evening at Raritan Valley Community College library. A panel of 4 authors–Keith Fritz, Anthony Giordano, Mercedes Rochelle, and me–met with a group at the college library. We had at least 30 people in the audience to watch the author panel, maybe more!

The author panel had a good mix of genre and form–adult horror/dark fantasy, middle grade and YA sci-fi/fantasy, adult historical fiction, and a playwright. Discussion was lively, covering everything from our process, to our greatest challenges. The audience asked about self-publishing, writer’s block, and memoir writing. The group was engaged and attentive, and it was a pleasure to talk with them. Many came up afterward and chatted with us one-on-one.

Thank you so much to Carina Gonzalez, the Raritan outreach librarian who set up this author panel, and to all the people who came to see it. It’s always gratifying to share what I’ve learned with others just starting out. I remember how overwhelming it all seemed when I first began my journey, and I am happy if I could help give someone the advice they needed to better understand something they’re struggling with.

In other news, my copies of the Silver Pen Magazines 2017 Anthology arrived today! They landed on my doorstep after I had left for my author panel, so I couldn’t take them with me, but I am so happy they are here!

Veritas Synopsis

I have finished sending out my 50 queries for The Curse of the Pharaoh’s Stone. Now, I am starting on the list for Veritas. First, however, I need to assemble the materials usually required for submission. I have a query letter and a polished manuscript, but I need the final piece–the synopsis.

The synopsis can be a chore. Squeezing 80,000 words down to one page is never easy. Doing it without losing the voice, emotion, and energy of the novel often seems impossible. For many authors, writing the synopsis is a hair-pulling endeavor.

The book I am writing a synopsis forI liked the synopsis I did for Pharaoh’s Stone, so I decided to use the same process to create the Veritas synopsis. Since this novel has three POV characters, there is pretty much no chance of fitting the entire story on one page unless I pick a single character’s story to tell. Luckily, even though all the characters arc, Jinx’s story is the central line. So hers is the story the synopsis will tell.

First, I write a sentence or two about each chapter. Then I work on making each of those as emotional and active as possible. Doing this helps avoid the “and then”, “and then”, “and then” feel of many synopses. After that, I weave those summaries together into a seamless description of the story.

If I am lucky, this polished version will be about 3 double-spaced pages, the length of a typical “long” synopsis. If not, I tweak it until it fits. Next, I single-space what I have, because a 1-page synopsis needs to be single-spaced. This version will be about 1.5 pages long, but pulling out only half a page is not terribly daunting.

A final read-through, plus another set of eyes to find mistakes, and the synopsis will be ready. Then the querying can begin!

What is your synopsis-writing process like?

Silver Pen Magazines 2017 Anthology

Earlier this week, money magically appeared in my PayPal account. When I got the email notification, I thought perhaps that Nigerian prince had finally come through.

Turns out, it was something even better.

Silver Pen Magazines 2017 AnthologyLast year, the publisher of Youth Imagination Magazine contacted me. The magazine had published a short story of mine, Dying Breath, in 2014, and they wanted it for their first ever anthology! Of course I said yes.

After the usual lengthy process of compiling an anthology, the Silver Pen Magazines 2017 Anthology hit the bookstore this week!

Silver Pen has 3 magazines, and all are represented in this anthology. There are 22 stories, including mine. I am so excited to share space with the other quality stories and authors in this book!

Dying Breath is a favorite of mine, and I am so happy it is getting a second life in the Silver Pen anthology.

How Many Rejections Is Enough to Give Up on a Story?

While many writers are choosing to go the self-publishing route in order to reap the many benefits of that path, I’m still pursuing the traditional route of trying to get an agent. Thus the newest round of queries I blogged about last week. While I am having decent response, I am also seeing rejections, and I got to wondering: is there a certain number of rejections where you should get the hint and stop querying?

Because I can’t help thinking much farther ahead than I need to (thank you, anxiety disorder), I do wonder what to do if this round of queries doesn’t land me an agent. If no agent bites, that will be over 100 rejections. In the past, that many rejections would probably signal an end to that manuscript’s life, but these days it opens up a new dilemma: Do I put the manuscript in a drawer, or move onto self-publishing?

Concept cover of The Curse of the Pharaoh's StoneI hate to put The Curse of the Pharaoh’s Stone in the drawer. It has had a long and unique gestation, so the manuscript is special to me. In addition, I truly believe in this story. Beta readers, both teachers and middle grade students,  loved it, and I feel in my bones that Pharaoh’s Stone has the potential to go far.

But do I really want to carry the weight of doing everything myself? That’s the trade off. Although the marketing largely falls to the author no matter which route you take, the initial editing, book design, cover design, and all the formatting is taken care of with traditional publishing. That’s a huge investment in time and money, as well as a steep learning curve.

The good news is that I have 2 coauthors on Pharaoh’s Stone, so this is not a decision I need to make alone. The other good news is that we have a long way to go before we need to have this discussion. We still have 48 agents to hear back from.

If you go the traditional route, at what point do you “give up” on a manuscript finding a home? Is there a magic rejection number?

Query-Go-Round 2018

January seems to be query month for me.

Last January, I queried my middle grade book The Curse of the Pharaoh’s Stone. It had some interest, but no bites. After my initial list of 50 agents passed, other issues became more pressing, and I did not continue sending it out.

Over Christmas break this past December, I compiled another list of 50 more agents for Pharaoh’s Stone, and am once more on the query-go-round.

Last time around, I wrote and compiled all 50 queries before I sent anything out. Because each agency wants you to send different material, every query is a little different. Some agencies want just a query letter, others want a certain amount of pages, others want a synopsis, and a few have online submission forms. Preparing them all is a time-consuming process.

This year, I am compiling the queries as I go along. I prepare and send about 5 a day, sometimes more, but never more than 5 at a time. I find that if I do any more than 5, I lose focus and make mistakes.

I’m not sure which approach I prefer. Compiling all the queries ahead of time allowed me to send them all out within 5 days. Doing them as I go along will take me longer to get them all out the door. I suspect the total amount of time invested is the same, it’s just a psychological difference—personal preference.

I keep a list of all the agents I contacted in Excel. Name, contact info, submission requirements,  date I sent the query, and the result. Because so many agents now have a “no interest, no answer” policy, I also have a column that tracks how many days without a response. Some agents give you a time limit beyond which means they aren’t interested, so this column allows me to see at a glance if we’ve passed the deadline. As I send the queries out, I color code my agent database. Green for those out, red for the passes, and yellow for requests for full or partials. So far I have one yellow. 🙂

Do you find that you tend to query at certain times of year? What’s your query process?

The Goose’s Quill Top Posts of 2017

At the end of every year, I look back and see what posts resonated most with my readers. This year’s top posts were a nice mix of writing posts and mom/life posts.

  1. Rejection: A Mother’s Perspective
  1. Public Speaking: 4 Circles of Fear
  1. Marketing Desert
  1. In the Query Trenches
  1. Someday
  1. A Safe Place to Recharge
  1. Time Travel: Philly to Phoenix and back in 52 hours
  1. 5 Ways Writing is like Physical Therapy
  1. When You Realize What You Were Missing

And the #1 post on 2017:

  1. Thoughts Inspired by Writers Resist Philadelphia

I hope you enjoyed some of these posts, and I hope to keep serving up posts my readers love in 2018! Have a happy and safe New Year, everyone!

Rejection: A Mother’s Perspective

Writers experience a lot of rejection–from agents, publishers, even readers. And it’s never fun. For some writers, the pain of rejection makes them question if they want to continue writing at all. That’s understandable, as a rejection of your work can feel very personal.

Rejection of your baby hurts

Story Baby

And why wouldn’t it feel personal? A writer spends months, sometimes years, perfecting their story. Many of their own emotions and experiences bleed into the story, making the opinions of others feel like a judgment on themselves. Indeed, many writers refer to their works as their “babies”—and what’s more upsetting than someone telling you your baby is ugly?

But here’s the thing—our stories are not really babies, even if we do “carry” them much longer than many pregnancies. But that fact is an awesome thing, because that means the rejections and the bad reviews don’t have to hurt as much, because none of that rejection is permanent.

With a real baby, you only get once chance to do it right. All of life is a first draft, with no possibility of revision, no Undo button. With a real baby:

You can’t put her in a drawer and give up when the going gets tough in the messy middle.

You can’t go back and rewrite the story arcs that didn’t go the way you intended.

You can’t reword the harsh dialogue you spoke to her yesterday.

You can’t make a scene unfold exactly the way you wish to make her happy.

You can’t make sure the boy that made her cry on the playground gets his comeuppance.

You can’t manipulate time to focus on pleasant moments and speed past the painful ones.

Most of all, you cannot hold her in your arms and protect her from the world.

We all want to share our stories with the world. And it’s terrifying to put something you love out in the public eye. Rejections sting. A horrid review can wound deeply. But neither of those things spell the end of your career. In this day of self-publishing, you can always put out a revised version of a book that didn’t quite measure up. When one book doesn’t work out, you can write another one. Unlike with a real baby, you can start over when things go awry. You don’t get only one chance to do it right.

So when you start to suffer the slings and arrows of outrageous fortune, try to remember: it’s not personal, and it’s not The End.

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