At the Halfway Point—CoronaLife Day 782

You know the old saying, “She doesn’t do things by halves?” Well, apparently I do…at least this week.

I am halfway through my edits of The Curse of the Pharaoh’s Stone. I’m moving pretty fast because this is a polish of a manuscript that has been edited multiple times. A tweak here and there, but nothing major.

The first chapter had more issues, as will another later chapter, but even those are relatively straightforward. Hopefully I will send it to my co-author early next week to settle on the final form.

Then we will decide if we want to try the traditional route again, or go straight to self-publishing. We have submitted earlier versions of this book to agents before, but not this version. The last time we tried was several years ago, and it’s a much different world now.

My other half-accomplishment has been the  public release of my mother’s genealogy book, The Campbell Family of New York City, New York, and their Ancestors. The paperback version is available on Amazon and Barnes & Noble, if you search by title on their websites. I am hoping that after a few more days it will pop up on Google searches or under my author name. At the moment neither listing has the cover, either. So I will check back on that in a few days.

The hardback version of the book is not out to the public yet. I am having technical difficulties with the distribution. The algorithm is flagging it as a duplicate title, rather than a different version (paperback vs. hardback) of the same book. I have never had that issue before. The other issue is that I want it to be US distribution only, but it is insisting on being worldwide (which I do not want to pay for). I have also never had that issue before. I am working with their tech support, so things should be resolved soon.

My projects are halfway done. Hopefully by next week both of these will be complete and I will be on to something new!

A Willy-Nilly Week–CoronaLife Day 761

I’m having one of those weeks where I’m doing a little bit of everything. Makes it hard to focus.

Attended a Township meeting.

Visited the library.

Went grocery shopping.

Got my daughter a new passport.

Was close-contact exposed to Covid.

And I still have a ton of things to do.

Why do my to-do lists never seem to get smaller?

I did manage to approve the online proof of the public version my genealogy book. I ordered a printed copy, and if that looks okay, the book will be available May 1st.

Next week should be quieter (spring break), and my intent is to get through the edits of Pharaoh’s Stone my co-author sent me.

Hopefully I won’t have Covid!

What have you accomplished this week?

Not Quite There—CoronaLife Day 684

I had thought that I would be done with the genealogy book I am working on today. Yesterday I got the cover template from the publisher, and finished the cover. I uploaded it today. I had already uploaded the interior content. So all that remained was to run the final checks.

My files failed the final check.

I had uploaded regular PDF files. Apparently, these files did not have the correct color profiles and did not have all the fonts embedded. There was also a warning that one or more of the images was not 300 ppi.

The program told me to convert my file to a PDF-X to solve most of the problems. I had actually expected this, as this was the format needed for my last book with them. I had wanted to try a regular PDF, though, because I had a huge problem when I converted to PDF-X last time.

The conversion added errors to the text—either smashing words together by removing the space between, or adding excess spaces. I don’t mean just a few times, either—the PDF-X was littered with them. I cleaned it up as best I could, but I found even more once I got the printed proof.

You can understand my reluctance to convert it this time.

But there was no alternative, so I converted the PDF to PDF-X. Even though I already paid for a proofread, I am now in process of combing though the new file and cleaning up the text errors the conversion has inserted. Perhaps because I did the conversion differently this time, there are not nearly as many mistakes. Most of them are words smashed together, which is much easier to see than extra spaces.

So I am going to spend at least one more day going over the text to fix mistakes I didn’t make, on a text I have already had proofread. I’m not terribly happy about it, but it must be done, so I might as well buckle down and do it.

The conversion will not help the image under 300 ppi issue, but I am baffled as to which image(s) it might be. I knew from the start that 300 ppi was the standard, so I created everything at that resolution. I am going to re-export the cover as  JPEG rather than a PDF, since I can be certain of the JPEG resolution. I am hoping that the wonky image is in the cover, and that this will solve the issue. Otherwise, I will be spending another day combing through the 69 pages of images inserted in the book to try and find the culprit.

Hopefully by the end of the weekend, this will be uploaded and in the queue to be printed!

Ups & Downs – CoronaLife Day 677

As the saying goes, life has its ups and downs. This week my daughter tested positive for Covid. She’s doing okay, mostly just congested. She had one day she felt terrible, with a horrendous headache, but that was the second day of symptoms and has eased off considerably. Now my husband and I are waiting to see if we get it from her.

So that’s the down.

The up is that the genealogy book I am working on is nearing completion! Remember how I had thought I would need to cut a whole lot of pages to fit it into an affordable price range? The text of this book was clocking in at a whopping 290 pages, while the earlier book I did was only 180. Therefore, I spent a few days trying to cut it down, despairing of ever getting close.

Then I had a bright idea. I decided to look at the final PDF of the first book, to see what the final page count was after I added all the photos, trees, and title pages. I almost fainted, because it was 500 pages! I immediately knew that even with all the inserts added to the 290 pages of text, this book would not be 500 pages. Which meant I did not have to try to cut any text out!

What a relief!

I will finish compiling the PDF tomorrow, then I need to upload that to the printer so I can get a cover template for the book. The final large project will be designing the cover once I have the template. I already know what I would like to do for the cover, so it will just be a matter of getting it done. Then I can send it off to be printed!

Almost there.

How’s your January going?

It’s All in the Details—CoronaLife Day 418

I’m doing my family research, and I’m waiting on 2 more books before it is complete. One I have asked the library to get, but they have not had luck finding it. Which is strange because they are who I got it from the first time! The other book I will likely have to buy.

While I am waiting for those books, I can get started on the work of putting my family book together. It is pretty much written, but it’s a far cry from done. I need to go through and do a lot of cleaning up—making sure the chapter headings  and subheadings are all the same font and size, that the children lists are all the same format, re-learn how to do the indexes, and make sure the family trees are complete and up to date with the latest research.

The biggest issue will be reading through and correcting the verb tense. It seems natural sometimes to write about these ancestors in present tense, but really the book should be in past tense. This all happened long ago, after all. Right now the book’s tense is all over the place, and it will take a good deal of concentration to make sure I catch all the tense changes needed.

Once I get all of that done, it will be time to lay out the book design and do the cover. So many details to deal with when you self-publish a book! I have done it once before, though, so I know what is coming. A lot of meticulous work—but it will be worth it in the end.

So that’s what’s on my plate for the next few months, writing-wise.

On a side note, my hands are feeling much better, about 95%. And I get my second COVID shot today. Here’s hoping the side effects don’t knock me out too badly.

What’s on your schedule these days?

Raritan Valley Community College author panel–and the anthology arrives!

Last night I spent a fun evening at Raritan Valley Community College library. A panel of 4 authors–Keith Fritz, Anthony Giordano, Mercedes Rochelle, and me–met with a group at the college library. We had at least 30 people in the audience to watch the author panel, maybe more!

The author panel had a good mix of genre and form–adult horror/dark fantasy, middle grade and YA sci-fi/fantasy, adult historical fiction, and a playwright. Discussion was lively, covering everything from our process, to our greatest challenges. The audience asked about self-publishing, writer’s block, and memoir writing. The group was engaged and attentive, and it was a pleasure to talk with them. Many came up afterward and chatted with us one-on-one.

Thank you so much to Carina Gonzalez, the Raritan outreach librarian who set up this author panel, and to all the people who came to see it. It’s always gratifying to share what I’ve learned with others just starting out. I remember how overwhelming it all seemed when I first began my journey, and I am happy if I could help give someone the advice they needed to better understand something they’re struggling with.

In other news, my copies of the Silver Pen Magazines 2017 Anthology arrived today! They landed on my doorstep after I had left for my author panel, so I couldn’t take them with me, but I am so happy they are here!

How Many Rejections Is Enough to Give Up on a Story?

While many writers are choosing to go the self-publishing route in order to reap the many benefits of that path, I’m still pursuing the traditional route of trying to get an agent. Thus the newest round of queries I blogged about last week. While I am having decent response, I am also seeing rejections, and I got to wondering: is there a certain number of rejections where you should get the hint and stop querying?

Because I can’t help thinking much farther ahead than I need to (thank you, anxiety disorder), I do wonder what to do if this round of queries doesn’t land me an agent. If no agent bites, that will be over 100 rejections. In the past, that many rejections would probably signal an end to that manuscript’s life, but these days it opens up a new dilemma: Do I put the manuscript in a drawer, or move onto self-publishing?

Concept cover of The Curse of the Pharaoh's StoneI hate to put The Curse of the Pharaoh’s Stone in the drawer. It has had a long and unique gestation, so the manuscript is special to me. In addition, I truly believe in this story. Beta readers, both teachers and middle grade students,  loved it, and I feel in my bones that Pharaoh’s Stone has the potential to go far.

But do I really want to carry the weight of doing everything myself? That’s the trade off. Although the marketing largely falls to the author no matter which route you take, the initial editing, book design, cover design, and all the formatting is taken care of with traditional publishing. That’s a huge investment in time and money, as well as a steep learning curve.

The good news is that I have 2 coauthors on Pharaoh’s Stone, so this is not a decision I need to make alone. The other good news is that we have a long way to go before we need to have this discussion. We still have 48 agents to hear back from.

If you go the traditional route, at what point do you “give up” on a manuscript finding a home? Is there a magic rejection number?

Indie Author Day 2016

Indie Author Day t shirtSaturday, October 8th was the first annual Indie Author Day celebration. Nationwide, libraries, book stores, and book festivals showcased authors who have self-published their books. Th event introduced readers to authors they might not have known, and we authors networked with each other.

I spent my first Indie Author Day at the Vineland Public Library in Vineland, NJ. At 5:30 AM, my child woke me up complaining of a sore throat. By the end of the day she would be running a fever of 102. Still, I left my supportive husband in charge of the child and made my way to Vineland.

The trip should have been straightforward, but I roadwork delayed me. Note to self: When your GPS warns you about a backup, take the alternate route offered. Then the rain began, but I made the library with 2 minutes to spare.

buddy-the-therapy-dogThe Vineland Library is snug and welcoming. Four other authors made up the showcase with me: Kathryn Ross, Denise Hazelwood, Eloise Sulzman, JoDenise Muller and Buddy the Chihuahua. Buddy is a therapy dog, and was quite the draw for kids and adults alike!

The rainy weather kept traffic down, but we authors had a great time chatting with each other and exchanging war stories. They gave me quite a few tips about self-publishing that will come in handy in the future, and enjoyed the camaraderie of others also in the marketing trenches.

I publish as a hybrid author: as small press published my novel The Witch of Zal in 2015, while I self-published my genealogy reference book The Warren Family of Philadelphia, Pennsylvania, and Their Ancestors in 2014. As I see it, the future of publishing for every author will exist somewhere on the self-publishing-to-hybrid continuum. Some will choose to stay completely self-published, some will have some percentage of titles also carried by traditional presses, and some will want to always have a publisher.

Indie Author Day

There is no doubt that self-publishing is here to stay, but self-publishing is also changing at a rapid pace. Indie Author events like this help the authors keep abreast of changes, and allow readers to find new authors. It’s a win-win, and I hope to participate again next year.

I now get a week off from “eventing”, then my next event will be River Reads on October 23rd. I am so excited for that event—a massive showcase of 46 authors. I’ll talk more about it next week!

Indie Author Day setup

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Because it All Reflects on Me

Publishing is a business and everything I put out reflects on my brand. Everything. Even if it’s something outside my usual commercial writing sphere that few people will ever see.

Most of you know I successfully self-published a genealogy book for my dad’s family. It came out wonderfully, and I was very pleased. I decided to edit the book down to end with my grandparents’ generation (to keep personal information on living individuals private) and release it to the public.

I chose to get the book professionally copy edited, because no author can catch all his or her own mistakes. I did not hire a professional book designer only because I could not afford one. However, I did research the basic design mistakes of self-published authors that make their books look amateur and did my best to avoid them.

My genealogy book is clearly a niche book. I will be shocked if it sells even 100 copies. Because of the small expected sales, and because genealogy books even by the genealogy publishers are not exactly known for their book design, I felt that the business decision of not paying for professional design was a valid one. Had this been a book I anticipated having high sales numbers, I would have thought otherwise. However, knowing the expectations of my audience, I made a calculated decision.

Because, as a business, I have to decide how to spend (or not spend) my limited money.

Time is also money, as the saying goes, and as a business owner, I need to make another decision: How much time am I willing to invest in any given project to make it “good enough.”

After I got my copy-edited genealogy Word manuscript back, I made the changes, went through it one more time, then converted it into a PDF file. I added in all the photo JPGs, checked everything one more time, and then went through the final step of converting that regular PDF into a PDF/X-1a file, which is the required file format for Ingram Spark (and CreateSpace). I had done this exact process for my family’s edition, and it had worked flawlessly.

Then I uploaded the PDF/X file and waited for the e-proofs from Ingram Spark. I got them, and flipped through the proofs quickly to make sure all the margins and layout looked nice. It did, so I Approved the paperback version and ordered a hardback version for myself so I could see the cover prior to Approving it. I got the hardcover (beautiful!!) and happily pressed Approve. My genealogy book was now available to the public.

But.

A few days later, I was at my cousin’s house, and I pulled out the hardback to answer a genealogy question. And I saw something strange in the text. A weird space in a word. Instead of Census, it said C ensus. I flipped a page—d aughters. And another. And another. Odd spaces in random words littered the book.

At home, I pulled up the final PDF/X file. Yup, there were the weird spaces. I pulled up the regular PDF file, the one I had converted from. No weird spaces. I tried the conversion again. The spaces appeared again. To this day I have no idea why they appeared in this conversion, when they did NOT appear in the family edition version. It is a technical mystery that is baffling me. But I had to find some way to fix it, because I could not let the book stay out in public the way it was.

So I went into the PDF/X file and painstakingly found every instance I could of the spacing. I went through the document twice, and used the Text Touch-Up tool to fix it. It took hours over the space of several days. But I finally had a version with no weird spaces. I uploaded the new files—even though I knew it would cost $25 per version to change the interior after I had Approved it.

The second set of e-proofs came in and I vowed to go through the text this time, not just flip through. And I found more space issues. They were more apparent in the e-proof because the font was slightly thinner, enlarging the space between letters. I checked the file I had uploaded. Yup, there they were—not as glaring as the ones I had fixed, but noticeable now that I was attuned to them.

So I fixed the PDF/X again. More (but fewer) hours. Another upload (but this time no fee because I was still in the Approval process).

Third set of e-proofs. I combed through the proof and all was looking good—until page 167. I found a space I missed. And another space on page 304. And another on page 338. But that’s all. Just three spaces.

Did I go in and fix them again?

Yes, I did. (You knew I would, right?) And I also found another space I had missed, and a misspelled name that had escaped both the copyeditor and me. And then I uploaded PDF/X #4.

I am waiting for this set of e-proofs, but I think I have finally gotten to where this result is “good enough.” Nothing can ever be perfect, so there comes a time when you need to let it go. I am at that point (barring some glaring error) with this project. I have spent all the time I want in getting this as close to perfect as I can. No doubt some of you are thinking I have spent far too much time on it, given the small rate of return I expect. But I think my time was worth it. Why?

Because publishing is a business and everything I put out reflects on my brand.

Everything.

So I have to make it good.

 

What do you think? Am I conscientious or completely obsessive? When do you get to feeling that it’s “good enough”?

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Good News: My Career Grows

Last year saw my first short story, TO LIGHT AND GUARD, published in Bewildering Stories magazine. That was a big milestone for me: my first official publication.

This year is shaping up even better! I had a poem, THE TOWERS STOOD, published in the World Healing, World Peace 2014 Poetry Anthology, and my short story DYING BREATH sold to Youth Imagination magazine!

In even more exciting news, my middle grade sci-fi retelling of the Wizard of Oz, OZCILLATION, was picked up by Evil Jester Press, and will be released in 2015! I am so excited to work with this group of enthusiastic and creative people, and to be one of their first middle grade novels as they expand.

Right now, my novel is with the editor, so I am waiting on pins and needles to get the feedback from her. I know there will be some hard work ahead to make OZCILLATION all shiny, but I am ready to tackle it. I will be approaching the novel with fresh eyes, as I have not read the book since I started querying agents waaaay back in December of 2012. I have come a long way as a writer since then and will probably see things in the book I want to change as well.

So what am I doing while waiting for my editing notes? I am editing two short stories that I hope will find homes this year. I am doing final preparation on my genealogy book for upload to the self-publishing Print-On-Demand (POD) site, likely by the end of this week. Then I will figure out how to format the genealogy book for ebook, and upload that. I’m sending querying to agents for my YA contemporary fantasy THE ORACLE OF DELPHI, KANSAS. I am also beginning to work on my marketing strategy, as well as optimizing my website and blog and other social media. Oh, and I’m working on another novel.

So, I’m busy.

The list, of course, does not include weekly repetitive tasks like blog posts, watching the 2 TV shows I allow myself to watch, reading, taking care of the business of life, and running around after my most important Work-In-Progress, my preschooler!

As much work as the coming year will be, I am looking forward to the challenge! How about all of you? What new bragging rights do you have? Share!

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