My Biggest Takeaway: 2013 Philadelphia Writers’ Conference

This year was my third year going to the Philadelphia Writers’ Conference. I have always enjoyed it, and always been psyched up by the energy of the writing community there. This year, though, there was a vibrancy above the energy levels of the past years.

Perhaps this reflects a change in me, but I don’t think so—others noticed it, too. I can’t say why it felt different—perhaps it was the near-capacity crowd, perhaps the mix of teachers. All I know is that I was even more jazzed than usual.

A common theme seemed to emerge in the workshops I took this year: the theme of how to present yourself to the world as an author. Cecily Kellogg talked about bloggers and their voices. Suzanne Kuhn spoke about presenting yourself professionally and consistently online. Jonathan Maberry and Keith Strunk’s Act Like A Writer was all about the “writer-persona” you need to build to present to the world. Even in Solomon Jones’ Novel: Character workshop, we worked on our writer bio. Why? Because that bio is the first character we create as writers.

How to be a professional writer. How to be engaging online without giving too much information. How to be accessible without becoming vulnerable. How to be a public figure without losing our most private selves.

A common theme—but not my biggest takeaway.

My biggest takeaway goes back to the vibrant energy of this conference. Ever since my daughter was born, I have been in something of a creative funk. I have been writing consistently, blogging, have turned out a handful of short stories, but all my novel-length work has been on projects begun and first-drafted prior to my daughter’s birth. That never-ending rush of ideas that most writers have dried up after she was born, and I have been feeling totally uncreative for more than three years now.

But at the conference something stirred. Something sparked. A fleeting glimpse into a new character, a new plot. A siren song—still far off, but audible. My creativity raised its head and blinked sleepy eyes at the world.

I am by no means back to where I was creatively. But my creativity is not dead, as I had feared. It’s still there.

And it’s waking up.

What was your biggest takeaway from the conference?

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Books and Community

Books are magic.

This childhood belief is still with me today. And since books are found in the library, libraries are magic, too. At the main branch of my hometown library, I would trot down those white steps to the Children’s section, where they had all these books JUST FOR ME.

When I was a little older, I would ride my bike to the local library branch. It was only as big as two and a half garages, but I loved going in there. It was intimate and I knew where all my favorite books lived, which only reinforced the feeling that IT WAS MINE. My Camp Fire Girl troop decorated it for Christmas every year, and that bolstered this feeling of possession.

Even in college, when the library was on a much grander scale, I would walk though the doors and a peace would settle on me. The library calmed me, sheltered me, and educated me. I felt, in a word, WELCOME.

Libraries have always evoked a sense of belonging. That they belonged to you and you somehow belonged to them. Before the Internet, I spent hours there, as did my peers. Libraries were a community hub, and even today they reach out to the community in various ways and try to fill the needs of their patrons.

When I lived in Chincoteague, VA, last year, one of the first community events I attended was the dedication of the new wing of the library. My baby girl and I were frequent visitors there, always welcomed warmly into the beautiful children’s room the addition housed. That gorgeous addition, built to echo a lighthouse, was the direct result of years of support and fundraising from the local island community.

So for me, books and community have always gone together. Independent bookstores, too, have always evoked this feeling in me. I think that what makes most indies comfortable to me is their size, which is usually on the smaller end of the retail scale. They are eminently browseable, and permeated with the love of books. And so many of them are active supporters of their local communities, as well as hosting book-related groups and author appearances within their walls.

Even though I am a book-lover from way back, when I first heard about the Collingswood Book Festival from author friends Keith Strunk and Marie Lamba, I had my doubts about going. What could a sprawling 6-block bookfest offer to someone like me – shy, easily overwhelmed in crowds, and toting a toddler? Wouldn’t it just feel like a huge garage sale? But I decided to go to support my friends and their fellow Liars Club members Merry Jones, Gregory Frost, Kelly Simmons, Solomon Jones, and Keith DeCandido.

I loved it.

It was book overload, but in a great way. I could have spent the entire day there, browsing, listening to panels, and just enjoying the community. Did I say community? Yes, I did. The Collingswood Book Festival was a community affair through and through, with kid-oriented LoompaLand as well as music and the usual fest-type foods. Unfortunately, I could only stay a short time because of my toddler, but I will be back next year, hopefully toddler-free, to browse the day away. For another view of the Book Festival (with pictures!), visit my friend J. Thomas Ross’ blog.

Books can transport you to faraway places—and they can bring local communities closer together.

Books are magic.

Confessions of a Conference Virgin: Day 1 of the Philadelphia Writers’ Conference

I have to admit to being nervous about the Philadelphia Writers’ Conference. It’s the first conference I’ve ever been to, so I didn’t really know what to expect. Plus, I planned to pitch to an agent there, so I carried the knots in my stomach until my appointment time!

Day 1 of the conference was great. In a highly inspirational opening speech, author Solomon Jones stressed the idea that words matter by sharing how writing literally saved him from a life of addiction and homelessness.

The 3-day workshops have been equally informative. There is a little something for everyone: Memoirs, Poetry, Flash Fiction, Nonfiction, Romance Novels, Contemporary Short Stories, Screen/Play Writing, Novel, and YA.

I have heard good things about most of the 3-day workshops, but I have only experienced 3 of them myself. In Novel: Plot, author Kelly Simmons explored a non-outlining way of approaching plot – her list of 7 Cs: Combustion, Coordination, Conflict, Character, Conclusion, Completion, and Commitment.

In Novel: Character, author Gregory Frost explored what it takes to create compelling characters. Today we talked about the importance of “telling details” to show what the character is like instead of reverting to intrusive author explanation.

I had to leave in the middle of Greg’s class to go to my agent pitch. My nerves almost got the better of me while I was waiting, but once I met the engaging and enthusiastic Sarah Yake of Frances Collin Agency, my fear vanished. I count that as a successful pitch, especially for my first time pitching!

Then it was on to the YA workshop, where author Catherine Stine spoke about the different levels of children’s literature from picture books through upper YA, and how writing for those markets differs from writing for adults.

Finally, I took one of the single-day workshops: Jennifer Holbrook-Talty’s Perfect Pitch/Query. She pounded this cardinal rule into our heads: Who is your protagonist, what do they want, and why can’t they have it? This is the beginning of every successful pitch of any length.

The one-day workshops also cover a wide variety of topics: Pitch/Query; Libel, Privacy & Censorship; Writing for New Media/Webisodes; How to Get Your Own Column; Beating Writer’s Block; Op-Ed; Marketing Your Work; 13 Tips and Tricks; and a Closing Panel – Publisher’s Insider View.

My head is spinning with so much information, but I can’t wait for Day 2 and 3!

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