I normally don’t get writer’s block. If one story isn’t humming, I’ll jump to another until my subconscious has time to sort out the mess going on in story #1. So I’m a bit surprised at my current situation. My WIP was rolling along fine in first draft—rough, some ugly, but words on the page—when I got to THE climactic battle scene. Forces of good and evil, all that happy stuff.
And I couldn’t write it.
I can think of 3 reasons for the block:
- I am a bad writer without the skills needed to write it.
- I am afraid to write the scene because it won’t match what’s in my head.
- I don’t know enough about what needs to happen in the scene.
Okay, so even though I have days where I wonder why the heck I am doing this writing thing, I know I am not a bad writer. My skills are up to this task. So it’s not that.
I am always afraid to write every scene, because it never does match up with what’s in my head. At least, not in first draft. That’s what revision is for. So that’s not it.
Which leaves #3—I don’t know enough about the scene. Now, I outlined this entire book, so I am fully aware of what needs to happen and what the stakes are. So that part isn’t the problem. I think it comes back to my less-than-stellar world-building skills. Why? Because I know what has to happen, but am blanking on how it has to happen. I mean, we’ve got magic and spirits and stuff like that going on. Personally, I’m no good in a pillow fight, let alone a battle for the fate of the universe.
So I think that’s my problem in a nutshell. The magic and power of these beings is tremendous, but I’m not precisely sure a) how to depict it and b) what the upper limits are. Can they hurl suns and planets at each other? Are their spirits indestructible? Since they are top of the food chain, is there anything/anyone below them that can stop them?
Since I have plotted out the entire book, I’ve skipped writing the battle scene for now and moved forward. Since I know who wins and what the consequences are, I am able to do that. I am hoping that while I work ahead, my wonderful subconscious mind will simmer away and eventually come up with what I need.
Have you ever been blocked on a certain scene, but not the rest? How did you solve your problem?


Voices in the Wilderness: Why Writing Matters
I wrote this post before the attack on Charlie Hedbo. In light of the events in Paris, I think reflecting on the deeper purpose of writing is more relevant than ever.
We’re all creatives here, so I know this has happened to you: two completely unrelated topics slam together in your head and create a thought that makes you go “hmm.”
Topic #1: A writer friend lamented that many writers’ conferences seemed to feature marketing over craft these days. Personally, I feel that this will rectify itself after this wave of writers who were unfamiliar with marketing ages out and a new group of writers who “grew up” with marketing doesn’t need as much guidance. But there is a definite shift away not only from craft, but often from the purpose behind our writing.
Topic #2: So many scary and violent and crazy things happening in the world. Sometimes I despair of the world I am leaving for my young child. My husband and I discussed the helplessness most average citizens feel, and how powerless most people feel to change things. How many people long for a hero they can rally behind.
Thought: Maybe if we writers reclaim our purpose we will find that we are the heroes we have been waiting for.
Every writer writes because we have something to say. In fiction, obviously, we never want to be preachy or didactic, but we all have something to say. Even those who would say they only write to entertain have a specific worldview, a specific set of values, that permeate their work even if they don’t intend it.
Writers have a long history of being the voices in the wilderness—the ones who speak out against injustice or warn of dangers in the world. Thomas Paine rallied a new nation, Rachel Carson called out an industry poisoning our world, and George Orwell sounded the alarm against a dystopian future, just to name a few.
We live in a world where we are increasingly unable to talk to each other. Forgetting international tensions, the ability to talk about almost any subject without it devolving into an insult-laden screaming match is a lost art in America. Both sides cannot even hear each other, let alone consider a point of view different from their own.
But fiction writers are in the unique position of being between the two sides. We don’t argue—we present a story. A story of a person who may or may not be like the reader in their views, in their lives. This character takes a journey, and the reader goes with them.
The reader learns what the character learns. The reader gets to see a different perspective without being berated or told they are wrong. The reader gets to see what life is like for a person or community they have no experience with. They are presented with information, then left to make up their own minds about what to do with that information. There are studies that show fiction readers grow in empathy the more they read. In other words, reading opens readers’ minds and hearts to people and ideas outside themselves.
So it occurred to me that we writers might be the heroes this world needs to begin hearing each other again. To begin to realize that our differences are largely manufactured for political reasons. To realize the basic humanity in the “other.”
Perhaps one writer will change the world. Perhaps it will be our collective voices that change the future. But one thing is certain: we all have something to say that people need to hear. We have a reason for writing. We have a purpose.
We are the voices in the wilderness.