The Best of The Goose’s Quill 2016

As 2016 winds to a close, I take a look back and see what Goose’s Quill posts resonated with my readers the most. I often get surprised! Here are the top 20 of the year:

  1. Productivity and Expectations
  1. A Clean-Out Vacation
  1. Summer Slump: Is it September Yet?
  1. Gans Family Reunion 2016: Blood is Thicker than Water
  1. Beta Readers: A Vital Part of the Process
  1. Trans-Siberian Orchestra
  1. The Best of the Goose’s Quill 2015
  1. Research and Citations: Save Time, Get it Right from the Start
  1. The Dread Synopsis
  1. Book Launch! But What to Read?
  1. Critique Groups: A Resource Worth Having
  1. Book Fair Magic: Casting a Reading Spell
  1. Evolution of a Speaker: From Wrecked to Relaxed
  1. A Successful, Grateful Book Launch for The Witch of Zal
  1. My First Author Panel: The Student Becomes the Teacher
  1. Learning to Excel: Spreadsheets and Writing
  1. How To Cope With Book Launch Anxiety
  1. My Biggest Takeaway: 2016 Philadelphia Writer’s Conference
  1. Musings on Grief and Comfort

And my #1 read post of 2016:

  1. The Witch of Zal Book Trailer

Thank you everyone for reading The Goose’s Quill! Have a safe and Happy New Year, and I will see you in 2017!

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Critique Groups: A resource worth having

I know not every writer is a critique group fan. I fully understand why—there are critique groups that become useless echo chambers, ones that don’t actually lift the craft of their members, or that contain a toxic mix of people. But while there are bad groups, having a good one is invaluable.

I am in a small critique group. We’ve purposely kept it small because we all write novels. With too many people, it takes far too long to put a whole novel through a group. We also kept it small because that way we have flexibility in meeting times—we can find a date that works for everyone.

We are diverse in age range and in what we write. Our backgrounds, both in writing and in life, are also a mixed bag, which brings a variety of expertise into our knowledgebase. Our craft strengths also vary, which allows for a well-rounded critique when you take all of the feedback as a whole.

Personality is a big part of how the group meshes, and we have been lucky to gather a group that leaves their ego at the door. Every one of us is grateful for the feedback (even if we don’t agree with it), and we are also grateful for the kind manner in which the feedback is given. After all, you don’t need to tear someone apart to critique them. We have quite a bit of laughter in our meetings, because while we take our writing seriously, we can laugh at ourselves and our mistakes.

My assessment is that a good critique group is an invaluable resource. My novel THE WITCH OF ZAL went through the group and it would not have made it out of the slush pile without their input. Every month I learn something new about my craft and begin to see and understand ways to improve.

What has your experience with critique groups been?

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