Veritas Synopsis

I have finished sending out my 50 queries for The Curse of the Pharaoh’s Stone. Now, I am starting on the list for Veritas. First, however, I need to assemble the materials usually required for submission. I have a query letter and a polished manuscript, but I need the final piece–the synopsis.

The synopsis can be a chore. Squeezing 80,000 words down to one page is never easy. Doing it without losing the voice, emotion, and energy of the novel often seems impossible. For many authors, writing the synopsis is a hair-pulling endeavor.

The book I am writing a synopsis forI liked the synopsis I did for Pharaoh’s Stone, so I decided to use the same process to create the Veritas synopsis. Since this novel has three POV characters, there is pretty much no chance of fitting the entire story on one page unless I pick a single character’s story to tell. Luckily, even though all the characters arc, Jinx’s story is the central line. So hers is the story the synopsis will tell.

First, I write a sentence or two about each chapter. Then I work on making each of those as emotional and active as possible. Doing this helps avoid the “and then”, “and then”, “and then” feel of many synopses. After that, I weave those summaries together into a seamless description of the story.

If I am lucky, this polished version will be about 3 double-spaced pages, the length of a typical “long” synopsis. If not, I tweak it until it fits. Next, I single-space what I have, because a 1-page synopsis needs to be single-spaced. This version will be about 1.5 pages long, but pulling out only half a page is not terribly daunting.

A final read-through, plus another set of eyes to find mistakes, and the synopsis will be ready. Then the querying can begin!

What is your synopsis-writing process like?

In The Query Trenches

One of the goals I am hoping to achieve this year is getting an agent. I know that goal is not completely dependent on me, but my goal is to take the query steps I can to make that happen.

So, since I have a manuscript ready to submit, I started the process in December. After many hours exploring agents, I discovered the top ones in my genre. I created a database of 50 agents, and prepared to contact them in January.

I worked on my query both with my 2 co-authors for this manuscript and with “outside” eyes for objectivity. After we had the skeleton, I wrote all the query letters, personalized them and formatted them as the agent specified in their submission guidelines. I pasted the appropriate number of manuscript pages and any other requested material (such as synopsis) after the letter. Also, I made sure my contact info and links to my website and other social media were included after the signature of the letter.

Every Monday I sent out 10. If I got a rejection back, I would send out another immediately. By January 23rd all the queries but 2 who were closed to queries until February were sent. I had ended up with a total of 51 queries because one agent referred me to a fellow agent as a better fit.

So how’s it going? With 49 queries out, I got 11 rejections, 2 full requests, and the rest are still pending. Eventually I will have to start marking the “no response means no interest” people off my list, but I usually wait at least 2 months for that.

Now that the queries are out, it’s a waiting game. I am moving my attention back to another manuscript that I hope to have ready to query sometime this year. So if the current one on submission doesn’t land me an agent, maybe the next one will!

Anyone else on the query-go-round? How are you holding up?

The Best of The Goose’s Quill 2016

As 2016 winds to a close, I take a look back and see what Goose’s Quill posts resonated with my readers the most. I often get surprised! Here are the top 20 of the year:

  1. Productivity and Expectations
  1. A Clean-Out Vacation
  1. Summer Slump: Is it September Yet?
  1. Gans Family Reunion 2016: Blood is Thicker than Water
  1. Beta Readers: A Vital Part of the Process
  1. Trans-Siberian Orchestra
  1. The Best of the Goose’s Quill 2015
  1. Research and Citations: Save Time, Get it Right from the Start
  1. The Dread Synopsis
  1. Book Launch! But What to Read?
  1. Critique Groups: A Resource Worth Having
  1. Book Fair Magic: Casting a Reading Spell
  1. Evolution of a Speaker: From Wrecked to Relaxed
  1. A Successful, Grateful Book Launch for The Witch of Zal
  1. My First Author Panel: The Student Becomes the Teacher
  1. Learning to Excel: Spreadsheets and Writing
  1. How To Cope With Book Launch Anxiety
  1. My Biggest Takeaway: 2016 Philadelphia Writer’s Conference
  1. Musings on Grief and Comfort

And my #1 read post of 2016:

  1. The Witch of Zal Book Trailer

Thank you everyone for reading The Goose’s Quill! Have a safe and Happy New Year, and I will see you in 2017!

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The Dread Synopsis

I am in the process of gathering materials together to query my middle grade historical adventure The Curse of the Pharaoh’s Stone. I have a decent query, the manuscript is properly formatted, and I am working on the final piece—the dread synopsis.

The synopsis is notoriously difficult for most writers (there are some odd ducks that actually enjoy it!), and we procrastinate over it as long as possible. It is no wonder we find it hard. It’s a monumental task to take a 56,000 word novel and explain it in about 1,000 words—especially while attempting to infuse it with voice and emotion.

I took some advice from a few blogs on how to get started on the query. First, I wrote one sentence summarizing each chapter, then I turned that list into better-written paragraphs. Next, I polished it, choosing more powerful verbs, adding more emotional language. To my immense relief, the synopsis came in just at 3 double-spaced pages—my target length!

To double-check that I had not missed anything important, I used a technique taught by Kathryn Craft at a recent Philadelphia Writers Conference. By using her advice, I found that I had missed a structural element—the dark moment—and added it in. I also made sure I had enough emotional language and words that showed why this story is relevant to today’s audience.

So now I have a synopsis I am happy with. Yay! Next, however, I have to condense that to one single-spaced synopsis, and then even further to a paragraph. Can I do it? Can I synopsize my synopsis?

We will find out.

Do you have any tips for working on the dread synopsis (of any length)?

The Dreaded Synopsis

While my WIP is with an editor and readers, I am filling time by working on my query and synopsis for that WIP, so I will have the marketing materials ready ahead of time. That way, once I get my WIP feedback, I can set to work revising and be ready for querying immediately.

I have a query I quite like. A few other people are going to give me feedback, but I feel the underpinnings are solid.

My big problem is the synopsis. I can easily tell the story of what happens, at whatever length is required. What always seems to elude me is the voice of the book and the emotional heart of the story. By the time I have editing the plot down to something synopsis length, all of the voice and life have vanished and it reads like an outline in prose. Boring!

I have a first draft, which I will return to and try to liven up. But even if I get the voice in there, I feel I have missed the heart. A lot of the plot points I include are only important because of the emotional arc attached, but that somehow does not come through in this draft.

This part of the process always frustrates me, because I feel that I should be able to do this much better than I do. After all, this is my book—who else knows it as well as I? My passion and excitement do not come through on the synopsis page, and they need to. It reads like one of the many college papers I wrote. I got A’s on them, but the synopsis is judged by a different metric.

Perhaps I will approach the synopsis more like a short story. Perhaps viewing it through that lens will open up that emotional heart I’m lacking.

I believe that if I can write a great synopsis once, I will have the “lightbulb” moment that will show me how to do it consistently. Here’s hoping the lights come on soon!

How do you approach synopsis writing? Any advice to share?

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