Get Out the Vote – CoronaLife Day 215

This week overall has not been a productive one for me, writing-wise. I chipped away at Veritas but still feel that I need to do more with the scenes I am working on before I can move forward.

We are five and a half weeks into the school year, and I am exhausted. Not because of the schooling—the teachers have been phenomenal and my daughter is old enough to be pretty independent about her work. I am perennially exhausted during the school year. My body clock and the real-world clock do not sync well at all. As a result, I stay up too late because that’s when I have my energy, and then only get about 6 hours of sleep on a good night. During the summer, I never napped during the day, because I could sleep as long as I needed, but these days when I have to get up with my daughter, I find I crash into a power nap once a day.

I did get one big thing done this week: I voted! Here in New Jersey, we are all vote by mail this year. We did it during the primaries, too, as we were still deep in the worst of our pandemic first wave. We got our ballots last week, and this week I filled mine in and dropped it off. The nearest drop off to my house just happens to be the actual county elections office, so I walked it right in and handed it over.

Please, if you are eligible to vote, do so. We have always held America up as an example of a thriving democracy, but the reality for years has been that we have more people who don’t vote than who do in most elections. Even in Presidential election years, we are often hard pressed to get more than 50% of the voters to the polls. Voter apathy is the single largest danger to our democracy. Don’t like the choices you have? Vote for the one closest to your beliefs, then spend the next election cycle finding and supporting someone you like better. If we want a country whose representatives more accurately reflect who we really are, we all need to get out there and vote.

As John Lewis said in his final words: “Democracy is not a state. It is an act.”

So act.

Rebuilding the Story – CoronaLife Day 208

With me, my daughter, and my husband all fighting for bandwidth on a DSL line all day, we were running into problems. So we finally broke down and got cable internet. Hopefully the increased bandwidth will erase the problems we’ve been having. We are also keeping the DSL as backup in case our cable goes down, which it seems to do with regularity in our neighborhood. I think I may just stay on the DSL and let them have the cable—the DSL is sufficient for what I need.

I’ve been chipping away at Veritas again this week. I am into the part of the story where serious rebuilding will happen, as the new seeds I planted in the opening bear fruit. So while the general direction of the plot won’t change, how we get there most definitely will. I am trying, among other things, to make my protagonist more active, driving the story more than being pulled along by events. It’s difficult because she is literally trapped in her mind for a significant portion of this section, so having her more active is a bit head-scratching. But I have some ideas to play with.

I know very well that even with all the work I am doing on this editing pass, I will need to do at least one more. Whenever you go in and work on a nearly-complete manuscript and copy, paste, delete, insert, there are going to be continuity issues. So I need to do that, and I need to make sure that all the new stuff hangs together with all the old stuff and that it all makes sense. So still a long way to go, but I am confident I will get there in the end.

Also, I got my ballot in the mail this week, so I am doing a shout-out to everyone to make sure you vote, whether by mail or in person, depending on your state’s procedures. Your vote is your constitutional right and the foundation of our country, so make it count. If you don’t know how or where to vote in your area, call your County Clerk or Board of Elections office, and they will tell you where to go. Make a plan to vote and let your voice be heard!

Family & Frustration – CoronaLife Day 159

We got tested for coronavirus at the end of July and it took 2 weeks to get the results. We got tested because we were trying to get my daughter together with her best friend for a long weekend, so both families were going to get tested. That didn’t work out, but we decided not to waste our tests, so we went to visit my parents for only the 2nd time since February.

We had a nice visit outside, distanced, with masks when we had to use the rest room, but this time we visited longer because it didn’t rain on us. My mother is recovering from back surgery, so it was good to see how she was healing. Our visit made the day feel almost normal, like pre-COVID times.

The writing front was not so fulfilling. I reported last week that I was making progress with Veritas by using Lisa Cron’s Story Genius. For a brief time I thought I finally had figured out my character’s “third rail” – what she wants vs. a misbelief that holds her back. But now I am not so sure I managed it, and the frustration has returned. I am hoping for some inspiration, or for something to “click” but sometimes I think maybe this just isn’t a story I am capable of telling.

I wonder how much of my struggle is the pandemic pressure. We have all been home pretty much 24/7 since mid-March, and my introverted self is feeling oppressed by it all. That and the constant anxiety suppresses creativity, at least for me. But with no end in sight, I will have to figure out how to work through it, because NOT writing is galling to me.

Hopefully next week I will have more forward movement to report on Veritas. I’m not giving up!

Moving Forward – CoronaLife Day 152

So last week was a bad week. I felt so completely stuck in so many areas of my life, I was quite down about it. This week has been better because I had a plan and I actually followed it!

I have been avoiding returning to my YA sci-fi Veritas. I did a major rework of it last year, and managed to make it worse instead of better. So back to the drawing board, but I have been struggling with the lack of energy and motivation that comes with anxiety and prolonged stress.

I have sporadically reworked the opening chapters since January, ending up with about 14,500 words done. But then I ground to a halt, because I wasn’t quite sure where to go next. So I returned to the notes given to me by my trusty developmental editor Kathryn Craft, looking for clues as to how to move forward.

Kathryn did not let me down! She suggested I use Lisa Cron’s Story Genius book and Jennie Nash’s Inside Outline to zero in on motivation and connecting all the emotional/psychological beats that would make the story compelling. I was already familiar with Story Genius, having read it and used it for another story, and knew I would find it useful for this one. After I looked at the Inside Outline, I knew I couldn’t use it at this point. I am not an outliner, and just looking at it made the enthusiasm drain right out of me. But it will definitely be a tool I will use after I complete the new draft I am working on.

I didn’t want to set myself up for failure. So I decided to set a goal of doing one step in an exercise from Story Genius a day. If I wanted to do more, fine. But one was the goal. And I have been doing that. Walking through Story Genius, I am getting a handle on the inner conflict that drives my protagonist and the misbelief that must be resolved by the end of the story. I am getting more excited as I see thing more clearly. I finally feel like I am making progress.

Granted, it’s not actual writing yet. But I think once I get all this straight in my head, the manuscript words will come more easily. And even though I haven’t added words to my manuscript with these exercises, I have written 1,500 words of exercises. Which is something.

So I am finally moving forward with my writing, and it feels good.

What have you done lately to get yourself moving forward?

Celebrating Your Milestones

Writing a novel is a slog. It’s a marathon. It takes a great deal of perseverance and guts. It can feel like putting together a jigsaw puzzle without looking at the picture.

Because it’s such an arduous process, it’s a smart move to celebrate different milestones along the way. What you celebrate and how you celebrate, will be unique to you, and that’s fine, because it’s about motivating you to get to The End.

So, I finished Veritas a while ago. And I sent it around to agents. And got one who was interested, but wanted some edits done. After some soul searching, a lot of ice cream, and a chat with my friend Kathryn Craft, I saw a way forward with the edits that I could get behind.

My first step was reworking the main character’s POV. I chipped away at it and finally finished. But I still had 2 POVs to go, and I seemed unable to find the time I needed to dive into them.

The stars aligned this month. My daughter went to sleepaway camp and I was able to take off from my usual blogging duties thanks to fellow Author Chronicler J. Thomas Ross. So I threw myself into my work.

And I did it! All three POVs are finished. The breakdown went like this:
Jinx: original 30,200 words, new 38,700
Ace: original 39,900, new 30,400
Kit: original 9,700, new 4,100

It also dropped the total words from original 79,900 to now 73,300. That seems a touch short for YA scifi, but it’s very probable I will be adding things in as I go through the next few passes, so hopefully I will be closer to the golden 80,000 number by the time I am finished

As I mentioned above, I’m not finished with the rewrite. I need to go through it at least two more times for continuity and tone and see if I need to add in anything else to make the new version smooth.

While there is still more to do, I feel like the heavy lifting is done. So I am celebrating!

What are you celebrating today?

New Year, New Goals

Everyone posts New Year’s resolutions. I don’t so much do resolutions as goals. And I would like to try and make them realistic goals, so I don’t frustrate myself. The uber-healthy diet and sculpted beach-body? Not gonna happen. I’m going to try something more amenable to my couch-potato self.

I have talked about being in the midst of a great burnout. No creativity at all. 2018 was horrific, writing-wise. I totaled 89,672 words—and 73,218 of them were blog or other non-fiction writing words. Compare that to 2017, when my total words were 405,116, with 326,542 of those being fiction, and you can see how badly I fell off the workhorse.

So what am I aiming for this year? I have no specific word count in mind, but I do have two goals I want to reach:

  1. Finish revising Veritas.
  2. Re-release The Witch of Zal with new cover and illustrations.

Both are doable. I intend to do them.

Over this holiday, I have been trying to sleep more, to get out of the spiral of exhaustion and anxiety that I’ve been in for months. I think it is helping. I have an interest in getting back to revising Veritas, which I have been avoiding for quite some time. There’s a new angle I want to lay into the existing framework that intrigues me–and scares me, as I am not certain I can pull it off. But I want to try, which is  huge step forward.

So that’s my master plan for 2019. Not Earth-shattering, for sure. But within my reach. The burnout took a long time to set in fully, it make take some time to climb my way out of it. But I pledge to be kind to myself, to try and focus on taking better care of myself, and hopefully get back on that writing workhorse again.

What goals have you set for yourself this year?

Veritas Synopsis

I have finished sending out my 50 queries for The Curse of the Pharaoh’s Stone. Now, I am starting on the list for Veritas. First, however, I need to assemble the materials usually required for submission. I have a query letter and a polished manuscript, but I need the final piece–the synopsis.

The synopsis can be a chore. Squeezing 80,000 words down to one page is never easy. Doing it without losing the voice, emotion, and energy of the novel often seems impossible. For many authors, writing the synopsis is a hair-pulling endeavor.

The book I am writing a synopsis forI liked the synopsis I did for Pharaoh’s Stone, so I decided to use the same process to create the Veritas synopsis. Since this novel has three POV characters, there is pretty much no chance of fitting the entire story on one page unless I pick a single character’s story to tell. Luckily, even though all the characters arc, Jinx’s story is the central line. So hers is the story the synopsis will tell.

First, I write a sentence or two about each chapter. Then I work on making each of those as emotional and active as possible. Doing this helps avoid the “and then”, “and then”, “and then” feel of many synopses. After that, I weave those summaries together into a seamless description of the story.

If I am lucky, this polished version will be about 3 double-spaced pages, the length of a typical “long” synopsis. If not, I tweak it until it fits. Next, I single-space what I have, because a 1-page synopsis needs to be single-spaced. This version will be about 1.5 pages long, but pulling out only half a page is not terribly daunting.

A final read-through, plus another set of eyes to find mistakes, and the synopsis will be ready. Then the querying can begin!

What is your synopsis-writing process like?

Slimming Down the Ending

I have been revising my YA Sci-Fi Veritas, guided by developmental edits from fabulous editor Kathryn Craft. I chopped the first 4 chapters down to 2, then cruised through the next 70 or so chapters.

Then I got to the end, which is too long. I knew it was too long when I sent it in, but I didn’t want to believe it. After all, tightening my work is hard and everything I wrote is so perfect and necessary, right? I blame editing fatigue.

So now I’m at the end, and I need to cut about 40 pages from the 64 that currently exist. Kathryn suggested many cuts, but I cannot cut everything she suggested, because I need some of it to set up future books. So how am I going to do this?

1) I’m going to highlight all the information I need to retain and number each.

2) I’ll put each number and a short reminder of what it is into an Excel sheet so I can see all of the pieces at once.

3) I will then see what information can be woven into existing scenes that I will be keeping and what information might be combined into new scenes.

4) As I put that information into the story,  I will mark it in the spreadsheet so I don’t accidentally leave anything out.

5) When I have done all that, I will whisper an invocation to the goddess of writing and chocolate and hope the page count is okay.

6) If it’s not, then I will go back and try again until I get it right.

That’s my plan for yanking 40 pages out of my denouement. I will report back once I have completed the process.

Do you have a specific process when you need drastic cuts to your manuscript?

 

 

 

 

Taking a Break before Revision

We’ve all heard this advice: put your manuscript in a drawer for at least a month before you revise/edit it. Generally, I do this as a matter of course (and because life often gets in the way). But lately I have been lamenting an unscheduled break in my revision plans.

My sci-fi YA Vertias is inching toward being finished. I wanted one more major sweep for voice and plot tightening, and then I think it will be ready for professional editing eyes to look at it. So, I printed it out—all 100,000 words of it—punched some holes and stuck it in a three-ring binder (2 three-ring binders, actually). Ready to go!

My manuscript before my editing breakNot so fast! I did a few chapters of it, and then for some reason (or many reasons), it languished. From September 30, 2016 to March 8, 2017, it sat on my table waiting for me to return. That’s 160 days. 5.3 months.

Way too long.

My frustration built and built as the binders gathered dust on my end table, and they accused me of slacking every time I glanced in their direction. Finally, I got back to it.

Since March 8, I have made good progress. I finished polishing the shortest of the 3 POV lines in my novel and started the second.

For all that the length of the break frustrated me, there have been some good things out of it. Not only do I see mistakes more readily and clearly (the rationale for taking a break in the first place), but I can see what I did WELL with greater clarity. In a pleasant surprise, my writing is better than I remembered it.

Also, I hear the three POV characters voices more clearly in my head. I see where a sentence doesn’t fit the voice and needs to be tweaked. I have a better handle on their worldviews and can use the voice to crystallize that. In another surprise, the three voices are more differentiated than expected, allaying my fears of them all sounding like me.

So while I hadn’t planned on such a long break, it had some up sides to it. How long do you usually wait before coming back to revise a manuscript?

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Editing Multiple Projects at Once: When It Rains…

It pours. Or in my case, when it snows, it blizzards. We are getting some snow this weekend, and predictions range from 5 inches to several feet. So we will see if this will turn into Snowmaggedon 2016, or be a big bust!

I like to tackle creative projects one at a time (with the exception of when I am burnt out on one story and jump to another for relief). With much less writing time, I prefer to be able to keep the creative part of my brain in one world, one story—it makes my writing time more efficient, since my mind has chewed over the story while I’ve been running around doing life-y stuff.

However, I don’t always have the luxury of focusing on one story at a time, and this is one of those times. I am in the middle of a major revision of a YA manuscript, and my middle grade adventure manuscript has come back to me from my co-authors. So now I have two manuscripts to work on—in very different genres, very different voices.

Veritas-Cover-Art-231x300Pharaoh-Curse-640x1024My YA, Veritas, is a science fiction narrated from three different points of view. My MG, The Curse of the Pharaoh’s Stone, is an adventure story set in 1922 Philadelphia, narrated by a 12-year-old boy. How can I keep them straight, creatively speaking?

One thing to my benefit is the stage of the writing process for each of them. Curse is in a final proofread/copyedit before I send it out to readers. Veritas is in what I call 3rd draft stage, where I am still working on story, character, and depth. Because the stories are not in the same stage of development, I can switch gears between them a little more easily—copyediting does not call for the same creative muscle as deep revision.

The other thing I do to keep them apart in my mind is that I never work on one directly after the other. In my new work day schedule, I have writing time reserved in the morning (9-11 am), and again after my daughter goes to bed at night (9-11pm). By doing one in the morning and one in the evening, I leave enough time in between to “surface” from one world before diving into the other.

This seems to be doing the trick, although I wonder if it would be the same if I was in, say, drafting mode for both stories.

When you’re working on multiple projects at a time, how do you keep from having them bleed into one another?

Stay warm, people, and if you are in the path of the snowstorm, stay safe!

 

 

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