Writing Process Relativity

Last week I wrote about how time is relative. Specifically, I noted that I can accomplish about 4 times as much work in a child-free hour as a child-full hour. I’ve since noticed that the writing process itself is subject to the time-warping effects of relativity. Some parts fly past, some drag–even if they take exactly the same amount of real time.

I don’t do much in the way of outlining and prewriting (although I am trying to do a little more with my latest WIP), so that doesn’t take me too long. I think if I tried detailed outlining I would find the process tedious and draining, which I why I steer clear. While I admire the authors who can write a scene-by-scene outline, I just cannot get the passion for basically writing the book before I write the book. If I tried, that would be a part of the process that would seem to move at a snail’s pace for me.

Some writers say the first draft drags for them. For me, the first draft is fits and starts. Some days the words flow so fast I lose track of time, I am so immersed in the story. Other days the words don’t come and every time I look at the clock it seems the hands haven’t moved. But even though this is one of the physically longer time frames in the process, it does not move slowly for me. I tend to make steady progress, so I feel good about it.

The revision is where time relativity really can come into play. I find large-scale revisions such as moving scenes, deleting scenes, writing new scenes or new parts of scenes to move quickly. I have more of a big-picture brain, so I enjoy this part of the process a great deal. Probably why it seems to go quickly for me.

It’s the small-scale edits that drag for me. The typos and the grammar and the punctuation and the sentence-level structure. Grammar-type issues such as punctuation have never been my strong suit, and, although I am learning, it is still a struggle. The reading the book out loud edit always takes a long time, but it is completely necessary for me. One time I found that my global search-and-replace had failed to change my protagonist’s name in 4 different places. I never would have caught that without reading out loud. My mind, when reading silently, had inserted the correct name all the previous times I had read it–and I was on the 7th major revision at that point!

I don’t know about you, but when I get to the revision stage, I make a list of all the things I need to do. For a while, this list grows instead of shrinks, since often changing one thing will lead to more changes further downstream. Then the list seems to stall, as if I cannot check off anything no matter how hard I work. But then a miracle of relativity happens, and one day I look at my list and there’s only one or two things on it! I experienced that with the non-fiction genealogy project I am working on for my family. Just this weekend I looked at what had been a very long list, and realized I was on the second-to-last thing! What a thrilling moment to finally see the light at the end of the tunnel.

How about you? Which parts of the writing process fly for you, and which are like pulling teeth?

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Time is Relative

Don’t panic! I’m not going to attempt to explain Einstein’s theory of relativity and how it applies to time. But I think we all know that time, or at least our perception of time, can vary a great deal. To a child, a week seems like a year, while to an adult a year passes in the blink of an eye. An hour at work can feel like a day, while an hour spent doing something you love seems like a minute. So we all understand intuitively what we mean when we say that time is relative, even if we can’t explain the physics of time.

I mentioned in an earlier post that I now have about 10 hours a week child-free. The first week I sort of loafed through those 10 hours, enjoying them and doing what I wanted. But even by the end of the first week, a pattern had started to form.

I write in the library when my daughter is at school. The problem is that the library doesn’t open until about an hour after I drop her off most days (Monday is the exception–they open early that day). So I’ve gotten into the habit, now that it’s cooler and I won’t sweat or stink, of walking several thousand steps around the grounds while waiting for them to open. I use this time to think about the things I am going to do once I sit down to work. For instance, much of this blog post was written in my head as I walked.

Then I sit in my car or at the tables in front of the library (depending on weather) and fire up my laptop. My laptop battery won’t last the full hour, so it’s just as well I walk for some of the time. Exercise is important, too! Then I work on whatever I need to until the library opens, when I move the writing party inside and can plug in.

My problem has been in planning what to do each day. I always do have a plan of action, but it always turns out to be woefully inadequate to the amount of time available–I often run out of planned things to do long before the two hours is up. Because, see, time is relative–a child-free hour is massively more productive than a child-full hour. But after a summer of writing catch-as-catch-can, it is hard to remember just how much work can be done when you’re not constantly being interrupted!

Almost 4 times as much work.

That’s a lot.

I need to get better at planning what I’m going to work on, because there is no doubt that when I have a focus or a path firmly in mind when I sit down, I write faster and better and more than if I sit and stare and wonder what to do next. This goes for fiction as well as non-fiction. If I know what chapters I plan to work on, I can really think them through the night before, the morning of, and while I’m walking, so I can sit down and really write, instead of thinking. Thus getting the most out of my concentrated writing time.

So, to be at my most productive, I have to realign my brain to Non-Parental Standard Time when I plan my child-free writing hours. And then switch back to Parental Sanity Savings Time once I pick up Preschooler.

I sure hope I can avoid the jet lag.

What makes time fly (or drag) for you?

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Frittering Time

My daughter went back to school this week. Yay! I have magically acquired 10 child-free hours a week in which to work. It’s like Christmas in September.

It’s not all fun and games, however–the new schedule requires adjustment. For one thing, we need to get up at 7 AM–not terribly early by most standards, but my body does not like it. I have always noticed a huge difference in how I feel just getting up at 8 versus 7. And I mean with the same number of hours of sleep. For example, I am much more awake with 6 hours of sleep (my usual) getting up at 8 than I am with 6 hours and getting up at 7. That’s just the way I am wired.

How I wake up is another factor. I am either A) jerked out of a deep sleep by my alarm, which I swear erodes years off my life, or B) awake around 6 AM and then never go back to sleep because I know I have to get up in an hour. Neither is ideal, and no doubt contributes to my tiredness during the day.

But the main adjustment I need to make is that I actually have more work time. So I need to actually WORK during that time. This first week, with this abundance of time, I find myself frittering my work time. I think, “Oh, I have plenty of time.” and then spend just a few more minutes online, or playing an extra game of Solitaire, or reading just one more chapter, or diverting time to another hobby (or sometimes even cleaning the house). And suddenly I find I have gotten no more work done with this extra time available than when I did not have it.

Now, we all need to have some leisure time to recharge, so spending a little of this extra time reading or on a hobby (or–gasp–sleeping!) can in the long run be a productive use of time, in that it keeps me from burning out. But to reach the goals I have set for myself this year, I need to buckle down and use 80% of this “found time” to forward my work. And I will.

Any time my work time fluctuates wildly, either getting more or getting less, it takes a week or so to adjust my mindset to match. So for this week, I am letting myself play a little, as long as my must-do work gets done. Next week the focus will return, and hopefully I will have adjusted to the sleep schedule as well.

10 child-free hours a week. You can conquer the world with that much free time.

How about you? Do you have trouble being productive when you suddenly have a great deal of free time?

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Smashword-ing: Another step forward

This past week I took another small step up the writing career ladder. I posted a short story, TO LIGHT AND GUARD, for sale on Smashwords. I am now a millionaire and can retire.

Okay, I drifted off into fantasy for a minute there.

Seriously, this seemingly minor step of posting a short story for sale is a big step in the psychological progression of my career. I have been published, but never for pay. So the moment I sold my first copy of this story, I became a professional author, because someone purchased something I wrote. (Definitions of “professional author” vary from writer to writer–this is mine.)

Celebrate!

Posting to Smashwords was painstaking but not technically difficult–at least, not for a geek like me. If you find it too hard to follow their incredibly thorough Style Guide, they will provide you with a list of people you can pay to format your book. Basically, what Smashwords needs is a file with all the auto-formatting stripped away, then selective formatting put back in strategically. Like I said, painstaking, but not terribly hard.

So now my story is up on Smashwords in all formats. It has not yet been distributed to all other channels, such as Sony and Apple, but should be this week sometime. Amazon is another issue altogether. Apparently, Smashwords has to manually upload their files into Amazon, which as you can imagine takes a lot of time. As a result, Smashwords requires $2,000 in sales on their site/other distributors before they will upload your book to Amazon. So unless 2,000 of my blog readers are willing to pony up the $0.99 for the book to get me there, I will need to look into how to post my story to Amazon separately.

I am extremely excited to have taken this step in my career. I am using this short story as a learning experience (as well as hoping for some sales!) both technically and marketing-wise. I am having fun with it and hoping to have other short stories to join it eventually.

A small step, perhaps. But a long journey is accomplished one step at a time.

What steps (small or large) are you celebrating in your career right now?

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A New Journey

I wrote several weeks ago about a new novel that came to life in my head—the first new novel in more than 3 years. Well, this week I put pen to paper on this new Work In Progress (WIP). Just a few paragraphs, nothing mind-blowing. But it felt really, really good to start on a new journey.

I’m trying something a little different with my process this time: I’m trying to think more before I write. Not necessarily plot more, but spend more time in the pre-writing stage, getting to know my characters, their motivations, their world. To have more of the subtext in place in my head before I write.

My main reason for this is because I want to try to get my characters stronger earlier in the writing process. My biggest struggle of late is to make my characters “real” to the reader. It takes a great deal of revision to layer and nuance characters who were flat in the beginning, and even then it doesn’t always work. Some things are easier if you get them on a good footing from the beginning.

Another reason for the pre-writing is so I can hopefully cut down on the number of revisions I go through before my story is ready to go out. I love the revision process, but the more depth and detail and structure I can have in place in the first draft, the less revising it will take to get it in there later. My first drafts tend to be quite underwritten. While I think that will not change too much, I am hopeful that more of what is there will be valuable, and less will be dross to be thrown away completely.

As I said in the beginning, this does not mean I intend to plot every scene, as some people do. I cannot work that way. However, I do intend to plot the high points of the action and the character arcs—from there I can play connect-the-dots as I write, and let the story figure out how to get from point A to point B. My intention is to improve my writing speed by having some idea where I am going as I write, rather than simply meandering all over the place. Some meandering is necessary to my writing, but a little more control will not hurt.

So my new journey with my new WIP has begun, and I am trying a few different approaches to try and hone my process. A long road remains ahead—and what a wonderful adventure it will be!

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The Impatient Patient

I don’t know about you, but I am terrible at being ill or injured. It’s not so much the pain and discomfort that gets me, it’s the mental aspect of being thrown totally off your game. Illness or injury not only impacts your physical abilities to do things, but it messes with your mind and spirit as well.

I am an impatient patient. I find that healing takes much longer than I think it should. Most of the time, my mind and spirit have recovered long before my body does, and I chafe at the restraints of my condition.

I had surgery a little over a week ago (nothing serious), and I had great plans for how I would spend my recuperation. Editing and writing, mostly. Care to guess how closely I followed my plan?

You guessed it – not at all.

The day of my surgery lasted longer than expected. The day after I could do little but sleep. I think it was the first day of my life that I can honestly remember doing literally NOTHING. The next two days were better, but I still slept a lot—everything exhausted me.

I am finally feeling more myself, but perhaps that is the worst time of all for me. I FEEL like I CAN do all these things…but I can’t. Physically I am still in some pain, and creatively I am still drained and unable to focus. So what’s an impatient patient to do?

Go with the flow.

I have managed to catch up on all the back issues of my magazines. I also have read 8 Newbery Award books in a little over a week. I’ve cruised the net, learned more about my new coin collecting hobby, written a couple of blog posts and stayed on top of social media. So not unproductive time—just not what I had planned.

Am I upset that I ended up not following my plan? Not really. I know that I could not have done good work if I had tried. And the things I have done needed doing, and were better suited for my condition. Having cleared the decks of those things, I will be able to focus more fully on the creative writing when I get my mojo back.

Sometimes the key to finding contentment in life is not sticking to your plan, but learning to adjust your goals to find success in the moment (a topic I will discuss more in depth on Tuesday over at The Author Chronicles).

How about you? Are you, too, an impatient patient, and how do you deal with times when your body betrays you?

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Tales from Silver Lands by Charles J. Finger

I am a firm believer that, at bottom, people are more similar than they are different. The cultural differences we have grown into due to geography and environment and years of local traditions are, in the main, things we have learned. Most people want the same things—to live in peace, to have enough to eat and drink, to have a decent place to live, and for their families to be happy and healthy.

I might have mentioned that I am reading my way through the Newbery Award winners (follow my progress on Goodreads). I just finished Charles J. Finger’s Tales from Silver Lands, which is a collection of Native Indian tales from South America. The book won the Newbery in 1925.

The stories within fall into two broad categories: “creation myths” that explain how a place or a landmark or an animal came to be, or “hero myths” where a hero takes on evil and dispatches it with his virtuous power.

In spite of being tales from a civilization so far removed from my own, the tales were relatable and familiar. Of course, Joseph Campbell’s “Hero’s Journey” was in evidence. But the basic tenets—the urge to explain the mysteries of the world and that good will overpower evil—are universal.

Like many good books, this one transported me to a cultural time and place vastly unfamiliar—yet within it I found people just like us.

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Renaissance: Reviving my Muse

I’ve written before about the creative slump I’ve been in since my child was born 3 years ago. All the long-form works I’ve put out since then have been projects I began before her birth. In most cases, the entire first draft had been done prior to her arrival.

Truthfully, the complete lack of creative drive and new ideas scared me. It felt like something inside me had died, and that’s a pretty permanent feeling. I had this secret fear that I would never have another idea for any other novel for the rest of my life. But I slogged along, hoping that somehow the spark would rekindle.

I did all I could to stoke the fire. I took workshops, I went to conferences, I blogged, I read, I began writing short stories, I hung out with really cool fellow writers. I kept writing—even if it wasn’t very good. Most of the time I felt like I was getting nowhere really, really fast.

But then a strange thing happened. I went to the 2013 Philadelphia Writer’s Conference—and came away with stirrings I hadn’t felt in close to 3 years. Whispers of the Muse. Sparks. Nothing concrete, but a sign that all hope was not lost.

The fire burst forth in full conflagration just a few weeks ago. I had a long day of driving ahead of me. Usually, I love this alone time and don’t even turn on the radio. With a curious 3-year-old around, quiet is something I rarely have, so I find solo drives soothing. But with over 4 hours on the road, I knew I wanted some music this time.

So I stocked the CD player with songs I hadn’t listened to in years—songs that have a strong writing connotation for me. Songs that evoke particular stories I’ve written, characters I’ve created, and worlds I’ve imagined. Songs that take me back to a time long before marriage and child, and even before adulthood. A time when creativity geysered out of my brain.

And a new novel was born.

By the time I got home, the characters, the world, the backstory—all of it—glowed there in my mind, longing to break free. I jotted notes and reveled in the whirling dance. Although I can’t jump in with both feet right now (trying to finish another project on a deadline), my shiny new object is waiting for me like a reward. Just knowing it is there makes me giddy.

This new novel has a long way to go before it becomes anything, but I have not been in this stage of creation for so long that I had forgotten the elation of it. While I am certain the sleep deprivation and motherhood will make my creative process less than smooth, I am once more standing at the start of a new adventure.

And it feels amazing.

Have you ever lost your writing mojo? How did you get it back?

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The End of an Era: When Writing Mentors Move On

You know that moment in Star Wars where Obi-Wan Kenobi gets killed and you freak out because Luke’s just lost his mentor and he still is nowhere near where he needs to be, training-wise? That’s kind of where I am right now.

In 2005, I met Jonathan Maberry, who had joined the now-closed Writer’s Room in Doylestown. From that moment on, he has built a wonderful society of writers in the Greater Philadelphia area. Now there is a thriving community, helmed by the Liars Club, that has workshops and networking meetings and just has a generally good time.

I have been a part of an ongoing workshop of Jonathan’s since 2006. Originally called Revise & Sell, it is now known as the Advanced Novel workshop. Basically, all of us in the workshop have novels in some stage of development (but beyond first draft) and are trying to get published. I was one of the original workshop members. Over the years, people have come and gone, but a core group has stayed rock-solid and bonded together. We critique each other’s work when asked. We offer a shoulder to cry on when needed. We discuss problems, both craft and business, that are standing in our way. A group of us formed The Author Chronicles group blog about 3 years ago. Several of us have had short stories published, and one member, Tiffany Schmidt, is now a published novelist with her second book coming out in February!

So when Jonathan told us he was moving to San Diego later this year, it was a bit wrenching—one of the main pillars of my writing life was disappearing. We had what is likely to be our last in-person class last week, which was a weird feeling of endings and beginnings all mixed into one.

Last R&S Class

Last in-person class. Photo courtesy of Tiffany Schmidt


But the thing is, just like Luke Skywalker, we aren’t really losing Jonathan at all. Technology today has made it possible for us to continue this workshop virtually, through Skype. I am looking forward to keeping up the forward momentum we have built together. Although conversing with a flickering, pixelated mentor is a little too sci-fi even for me! But maybe we’ll get lucky and the Force will be with all of us.

I wish Jonathan all the best in his new adventures out in California. The man is a force of nature; I have no doubt he will do well. And I’m glad that technology will allow us to stay in touch as a class, because I get quite an energy boost from our meetings—and I think there are good things ahead for all of us. I want to be there to cheer the others on and celebrate when they get their big break. We’ve all done the hard work—but it’s with Jonathan’s guidance that we’ve come as far as we have.

So, thank you, Jonathan. It’s the end of an era—but the beginning of a new one. I can’t wait to see what new opportunities the new era brings.

Have you ever had a writing mentor?

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The Monkees Came To My Town…

On July 20, the surviving Monkees—Micky Dolenz, Peter Tork, and Michael Nesmith—came to Philadelphia with their second year of touring. My friends who lived through the 1980s and 90s MonkeeMania know I am a die-hard fan. I have been to Monkees events in the snow, the scorching heat, the pouring rain, and even a sandstorm. I have learned that when going to see the Monkees, I should expect the unexpected. This show was no exception.

Mann - Logo

The Monkees at the Mann Music Center
Philadelphia, PA, 7/20/2013

The adventure began before we even got to the Mann Music Center. We were about a mile away (according to our Google directions) when traffic on the Expressway stopped dead. Not moving off the exit. The clock ticked ever closer to 8 PM (show time). The veins popping out of my temples must have finally scared my husband, because he left the non-moving line and went to the next exit to try to enter Fairmount Park from the far end and wend our way in. Except that we couldn’t—roads in the Park were closed everywhere!

We had no idea how close to the Mann we were, but people were parking all along the road, so we did, too. We loaded up and prepared to walk. A woman stopped her car and asked me, “Is this within walking distance to the Mann?” I replied, “I hope so.” I couldn’t figure out how she knew I was going to the Mann until I remembered I was wearing my Monkees tour shirt from last year!

So we walked. And walked. And walked. Did I mention that it was hot as Hades? The heat index was well into the 90s, even though it was eight o’clock at night. After we slogged the MILE AND A HALF to the Mann, I was dripping like a melting candle.

During the torture trek, we discovered the source of the closed roads and the stand-still traffic. The event planners of Philadelphia had decided to hold a run of some sort in the Park on the same afternoon as the concert. And the parking for the run was…the Mann parking lot.

By the time we oozed through the gates of the Mann, we had missed half of the first song—“Last Train to Clarksville.” Not bad, when you consider that I saw people arriving at the show as late as 30 minutes into it.

When we sat down, I gaped. Our seats were amazing! They hadn’t looked so close on the seating chart. We were in the 5th row! Only a Box containing 4 rows was between us and the stage. Unfortunately, the box also contained 2 girls who insisted on getting up and dancing. I had to laugh, though, because I could not have planned their blocking of my view any better if I had tried. Whenever they stood up, they were perfectly aligned with Micky at center stage and Peter at stage left. Perfectly covered those two. Every. Single. Time. So I saw a lot of Mike on the far side of the stage. Which is not a bad thing! I don’t know if someone said something to them or if they just got heat exhaustion, but they did stop blocking everyone’s view about halfway through the show.

Mann - The Coolest Fan

The Monkees and their coolest fan

In spite of the late arrival and the heat and the girls, I thoroughly enjoyed the show. The guys sounded fantastic, and they had a good time up on stage. They cracked jokes about the heat, and even played around with a cooling fan set up on one side of the stage. Their set list was almost identical to last years’, but that was fine by me because I think it features some of their best music. The only thing that would make this show perfect is if Davy were alive and part of the mix.

Highlights of the show? For me, every song could have been a highlight, either for the musicianship, the lyrics, the performance, or the memories it called to mind.

Specifically, Mike’s simple yet powerful “You Told Me” is a personal favorite, “What Am I Doin’ Hangin’ ‘Round?” brought flashbacks of the TV show, and the whirling, skirling “Circle Sky” rocked the house.

Michael Nesmith

Michael Nesmith

Micky’s ever-energetic “I’m A Believer” was a fan fave, his veiled protest song “Randy Scouse Git” got me singing (as always), and “As We Go Along” let Micky’s bluesy-jazzy voice soar over an enchanted crowd.

Micky Dolenz

Micky Dolenz

Peter’s rendition of “Early Morning Blues and Greens” was better than Davy’s original on Headquarters,  the 60s anthem “In This Generation” (written by Peter and used as the closing theme to the show in the second season) lifted the crowd out of their seats, and the kaleidoscopic, hallucinogenic “Do I Have To Do This All Over Again?” left me breathless and dizzy.

Peter Tork

Peter Tork

And what of Davy Jones? This year’s show was minus two of the video tributes to their fallen band member, but “Daddy’s Song” remained. Really, you cannot have a set focusing on the weirdness that is Head without showing the splendid positive-negative editing of that song (as well as Davy’s fantastic dancing). And, of course, no Monkees show is complete without the iconic “Daydream Believer,” carried this year, as last year, by people pulled onstage from the audience and the audience as a whole.

Mann - Daydream Believer

Daydream Believer

During the show, I struggled with my camera early on. Got a lot of swirly, out of focus, off-color shots. I could not believe that I was in fifth row and couldn’t get a decent picture! But I finally stumbled upon a setting (in the Sports menu) I hadn’t tried before, which took care of the focus/swirly issue. And then I noticed that Mike was wearing white pants! Hallelujah! I quickly used the manual white balance on my camera to set “white” to the color of his pants, and that took care of the off-color issue. I ended up getting some great shots!

Mike & Peter Jamming

Mike & Peter Jamming


The performance, with video clips running continually in the background, captured the verve and fun that has made the Monkees a crowd-pleasing favorite for so many years. The songs are “oldies,” but the guys play them fresh every time, the joy they have in the process of creating and playing the music making the songs ever new.

Micky Shaking Hands

Micky Shaking Hands

After jamming with the Monkees for several hours, I was happy-exhausted. I often wait around after shows trying to get autographs, but I know from experience that the Mann backstage is pretty much inaccessible. I might have hung out anyway, but when the show ended, a light rain was falling…and our umbrella was in the car 1.5 miles away. The storms had been forecast to be through the area by 8:15, so we hadn’t bothered with the umbrella.

Thankfully, the rain stopped almost as soon as we set out for the car, but a raging lightning storm lit up a fourth of the night sky. Awesomely beautiful streaks of lightning jagged through the sky, some jumping from cloud to cloud, some spearing down to earth. Very scary, as we hurried along paths lined with trees that looked suspiciously like lightning rods. I had thought we’d be able to take our time walking back to the car, but the storm made us hurry as fast as getting to the show, and we were once again sweat-drenched as we threw ourselves into our car.

Severe weather conditions, traffic troubles, technical difficulties both human and machine, rocking music, spot-on vocals, exuberant performances, and an addictive, potent mix of new and old memories—everything I expected from a Monkees concert and at the same time, so much more.

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Mike, Micky & Peter at the Mann

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